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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for September 2017

Veronica Brandt · September 30, 2017

Corda Pia – A Franciscan Hymn

A really old hymn commemorating the Stigmata of St Francis of Assisi.

Jeff Ostrowski · September 29, 2017

Church Music Dubia Remain Unanswered

The time for serious discussions about church music has not yet come.

Andrew Leung · September 28, 2017

Video • All Priests Should Learn Traditional Latin Mass

An interview with Archbishop Alexander Sample of Portland, Oregon.

Jeff Ostrowski · September 27, 2017

Translations By Non-Catholics In A Catholic Hymnal?

The fear was that Protestant translators might distort the theology contained in the ancient Catholic hymns…

Dr. Lucas Tappan · September 26, 2017

Liturgical Education

Perhaps I am just a Benedictine at heart but I feel the *Opus Dei* (Work of God) must truly be given pride of place in our personal lives…

Fr. David Friel · September 24, 2017

Album: Sacred Treasures of England

Reflections on a recently released album of English choral music

Veronica Brandt · September 23, 2017

How Much Latin Do You Need?

How to learn to read 20% of the Missale Romanum – forget “Amo, Amas, Amat” – dive into the most frequently used words.

Jeff Ostrowski · September 22, 2017

Chants • Our Lady of the Holy Rosary (October 7th)

Next Sunday, some EF priests will choose an “external solemnity.”

Andrew Leung · September 21, 2017

The New Way of the “Sistina”

Msgr. Massimo Palombella introducing the new way of singing of the Pope’s choir.

Jeff Ostrowski · September 20, 2017

PDF Download • “Missal for the Laity” (1846)

Have you noticed liturgical progressives are never happy?

Jeff Ostrowski · September 20, 2017

16th Sunday after Pentecost (4th in September)

“Let Thy grace, we beseech Thee, O Lord, ever go before us…”

Jeff Ostrowski · September 19, 2017

PDF Download • “Lauda Sion” Hymnal (1886)

Hymns to the Blessed Virgin, Hymns for Benediction, Offertories, etc.

Dr. Alfred Calabrese · September 18, 2017

Five Ways To Make Dogma “Live Loudly Within You”

Thank you, Senator Feinstein!

Fr. David Friel · September 17, 2017

Two Transatlantic Choir Tours

The USA will soon receive the Sistine Chapel Choir and the Schola Cantorum of the London Oratory School on tour.

Veronica Brandt · September 16, 2017

Catena Legionis in Gregorian Chant

Our Lady sings Magnificat with tones surpassing sweet – and you can too with this simple Gregorian chant setting.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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