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Views from the Choir Loft

Five Ways To Make Dogma “Live Loudly Within You”

Dr. Alfred Calabrese · September 18, 2017

4417 Y NOW, most everyone is aware of the uproar following the statements of Sen. Diane Feinstein during the judicial confirmation hearings of Prof. Amy Barrett of the University of Notre Dame. “The dogma lives loudly within you” stated Feinstein. Much has already been written about the obvious anti-Catholic invective in this proclamation, and many have come to the defense of Prof. Barrett and her personal and judicial integrity. That Feinstein’s sentiments were doubled down by Senator Richard Durbin of Illinois, a Catholic himself, is probably more reprehensible. The fact that he claimed to be unaware of the term “orthodox Catholic” is sad and laughable at the same time. * So the villains in this controversy have been named. But let’s not forget that there is a hero, and that is Professor Barrett.

Making your Catholic bona fides known and not wavering from them is not always a stance that lends itself to personal popularity or job security, especially in the academic ivory tower. But, you say, that shouldn’t be a problem in a Catholic university, right? Well, let’s remember from whence came the Land O’Lakes Statement. And just try Googling “Catholic professor denied tenure” and see how many hits you get.

So now that Prof. Barrett has been ‘accused’ of being a faithful and public Catholic and has taken a hit for the rest of us, the question for me, and perhaps for you, is this—is the dogma living loudly in you? For me, I think the answer is no, not yet. Because sometimes, as we have seen, it results in criticism, ridicule, unfairness, and unpopularity. Because it takes courage. And it takes courage to be a Catholic church musician. So the next question is this – can we live the dogma in our work as church musicians? Here are a few ways that I think we can:

First : Select hymns with faithful Catholic texts. This might open you up to criticism.

Second : Jettison the hymns or ‘songs’ that talk about ‘us’ or ‘me.’ This will not make you popular.

Third : Make school Masses reverent and focused on the worship of God. If this means following #1 and #2, this will also not make you popular.

Fourth : Teach, especially the children. I’ve sacrificed some rehearsal time to show videos on the Mass and to discuss it with them. Maybe that’s not the best use of time, but it lets the children know where my priorities lie and what their role in the Mass is really about.

Fifth : Talk about the Church to your choirs. Incorporate bits of theology into your teaching of new music, explain deeply the texts that come from the pens of the saints, and give your own personal statement about why this music is important to you as a Catholic. This takes courage.

These are just a few ways that we can show the dogma living loudly within us. As reprehensible as her statements were, perhaps we need to thank Sen. Feinstein for unwittingly reminding us what we are called to do, as unpopular as it may be.



NOTES FROM THIS ARTICLE:

Editor’s note : Views from the Choir Loft has never been—and will never be—a political blog. If we were in the business of pointing out dishonesty from politicians, we’d have no time left for music. That being said, it’s worth noting that Senator Durbin claims not to know what “Orthodox Catholic” means and brags about having 19 years of Roman Catholic education. However, seventy seconds later, he accidentally reveals (by subsequent statements) he knew perfectly well the meaning. It would have been better if he had not pretended to be ignorant of that term.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Dr. Alfred Calabrese

About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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20 January 2021 • REMINDER

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—Jeff Ostrowski
19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski
6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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