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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for July 2017

Jeff Ostrowski · July 31, 2017

Major Typo • This Sunday’s Introit

Can you spot the error?

Fr. David Friel · July 30, 2017

Pastoral Care of Persons with Disabilites

Catholics with disabilities have a right to participate in the sacraments as fully as other members of the local ecclesial community.

Richard J. Clark · July 28, 2017

The “Charism” of Saying “No”

The ability to say “no” is an important gift of which much good can come, if used with wisdom, mercy, and kindness.

Jeff Ostrowski · July 27, 2017

How Is The “Kiss of Peace” Done Properly?

Do the Altar Servers receive the Kiss of Peace?

Jeff Ostrowski · July 27, 2017

Musical Resources • 8th Sunday after Pentecost

“We have received Thy mercy, O God, in the midst of Thy temple…”

Jeff Ostrowski · July 26, 2017

Seven Rules for Church Music (Sir Richard Terry)

“Is plainsong really so dull and dry as some of our singers would have us believe?”

Corpus Christi Watershed · July 25, 2017

Video • FSSP Altar Server Training Camp

The FSSP seminarians exceeded all expectations!

Christopher Mueller · July 25, 2017

What really happened at the Convocation of Catholic Leaders

Beautiful liturgical music happened—in a hotel ballroom, no less!

Jeff Ostrowski · July 24, 2017

“Tu Es Petrus” • Commissioned for the Symposium

This piece by Kevin Allen is based on the plainsong Communion antiphon.

Fr. David Friel · July 23, 2017

Seven Rules for Writing Sermons

Guidance from Bl. John Henry Cardinal Newman

Andrew Leung · July 20, 2017

Recording • Choral Mattins with John Rutter

Here is some great church music coming from the Anglican Cathedral of Hong Kong

Jeff Ostrowski · July 19, 2017

“Mode 4” • How To Teach Your Choir

Did you notice the “ups and downs” were omitted? The choir will fill those in…

Guest Author · July 19, 2017

Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 3 of 3)

We look to Mary to understand the “self reflection” of sacred polyphony.

Jeff Ostrowski · July 18, 2017

Video • Wilko Brouwers

Can anyone identify the composer of this piece?

Jeff Ostrowski · July 17, 2017

Organ Improvisation • Stupefyingly Awesome!

Does this constitute an organic development?

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Orlando de Lassus died in Munich on 14 June 1594, the selfsame day his employer decided to dismiss him for economic reasons. He never saw the letter.”

— New Grove

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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