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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Archives for February 2017

Jeff Ostrowski · February 28, 2017

Giacomo Cardinal Lercaro (1891-1976)

“There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: why?” ~ Msgr. Richard J. Schuler

Guest Author · February 28, 2017

EF Divine Office Resource • Daily Recordings of Lauds

“At the crowing of the cock, hope returns…”

Fr. David Friel · February 26, 2017

The Purpose of Art

Considerations from Tolstoy

Veronica Brandt · February 25, 2017

Making rehearsal CDs and finding mp3s

Burning CDs may seem old-fashioned, but many people still rely on their CD players. All the shortcuts, plus a free recording of Audi Benigne Conditor.

Richard J. Clark · February 24, 2017

Four Real Reasons for Roman Catholic Funerals

The real purpose of a Roman Catholic funeral is not what most people think.

Dr. Alfred Calabrese · February 23, 2017

7 Points • “The Joy of Lent”

Does Lent really put people in a bad mood?

Jeff Ostrowski · February 22, 2017

“Morae Vocis” acc. to the Vatican Edition

The «Kyriale» contains very few melismatic morae.

Jeff Ostrowski · February 21, 2017

PDF Download • “Cantus Varii” (469 Pages)

The revolution continues!

Lucas Tappan · February 21, 2017

Music and the Imagination

Along the “via pulchritudinis” (the way of beauty) they will come to know Him Who is Beauty itself.

Jeff Ostrowski · February 20, 2017

2-1 Suspension in Guerrero Motet

“Now this is eternal life: That they may know thee, the only true God, and Jesus Christ, whom thou hast sent.”

Fr. David Friel · February 19, 2017

Will All Men Be Saved? 1

Hope vs. Certainty

Jeff Ostrowski · February 18, 2017

Musical Resources • Sexagesima Sunday 1

“O God, who seest that we put no trust in ourselves…”

Dr. Alfred Calabrese · February 16, 2017

The Pedagogy of the School Mass Liturgy

The weekly school Mass may be the only Mass some students ever attend.

Andrew Leung · February 14, 2017

Feature Video • London Oratory Schola

A very cool promotion video of the Schola Cantorum of the London Oratory School

Lucas Tappan · February 14, 2017

Singing for Cardinal Burke’s Pontifical Low Mass

I told Cardinal Burke that is was a blessing for us to sing for the Mass and assured him of our prayers.

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Corpus Christi Watershed

Quick Thoughts

    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3).
    —Jeff Ostrowski
    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

Recent Posts

  • Church Music Shouldn’t Be “Headache-Inducing”
  • Introit • Candlemas (2 February)
  • Simplified Antiphons • “Candlemas”
  • Apply Right Now! • Sacred Music Symposium
  • Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦

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