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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for April 2015

Andrew Leung · April 30, 2015

Pastoral Plan (Part 1 of 2)

The Pastoral Plan of the Archdiocese of Atlanta was released recently. How can we implement the plan to a parish music program?

Jeff Ostrowski · April 30, 2015

Liturgy Gone Wild

What do progressive liturgists truly want?

Aurelio Porfiri · April 29, 2015

Music That Hurts

“Was it not jealousy for the honor of thy house that consumed me? Was it not uttered against thee, the reproach I bore?”

Jeff Ostrowski · April 29, 2015

Liturgical Silence—But Not What You Think!

When I was young, I would have tried to argue.

Jeff Ostrowski · April 29, 2015

Rare Video • Richard Nixon Meets With Pope Paul VI

Footage taken by John Ehrlichman a 1970s “home video reel.”

Jeff Ostrowski · April 28, 2015

PDF Download • “The Parish Hymnal” (1957)

“The origins of some are not known due to the long and nearly untraceable popular usage they have enjoyed.” —Gregorian Institute

Dr. Lucas Tappan · April 27, 2015

St. Thomas Choir School, NYC

Perhaps if we invested in better music in our parishes the Good New would be spread more effectively.

Jeff Ostrowski · April 27, 2015

PDF Download • “Hymns Of The Roman Liturgy” (Rev. Joseph Connelly, 1955)

“These samples from Connelly make less sense in English than the Latin originals would to a North Korean.” —Msgr. Francis P. Schmitt

Jeff Ostrowski · April 27, 2015

Brave Schola Director Posts “Live” Recording • Part 2

We’re having a lot of fun…is that bad?

Fr. David Friel · April 26, 2015

A Criticism & Good News

Another Look at Fr. Weber’s “The Proper of the Mass”

Veronica Brandt · April 25, 2015

Lest we forget

Encouraging solemnity in a public space in Australia is no mean feat, but there are well known traditions which give the framework which elevates the simple, heartfelt speeches into a moving tribute to our fallen service men and women.

Jeff Ostrowski · April 24, 2015

Polyphonic “Alleluia” for 3 voices • Morales (†1553)

I’ve always believed it’s a mistake to have all-women alto sections and all-men tenor sections.

Richard J. Clark · April 24, 2015

“Choral music is not one of life’s frills.”

Would that our church and school budgets reflect this profound importance, our praise of God would be greater, our churches fuller, and our relationship with the Lord and each other deeper.

Jeff Ostrowski · April 24, 2015

Resources • 3rd Sunday after Easter (1962 Missal)

The recording of the Introit “Jubilate Deo” was created by Jeff Ostrowski—hope it helps!

Jeff Ostrowski · April 23, 2015

Amazing Opportunity for Los Angeles Catholics

Here’s your chance to meet Fr. John Berg, FSSP Superior General, who’s coming all the way from Switzerland.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

Recent Posts

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  • PDF Download • Dom Murray Harmonies

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