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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Jeff Ostrowski · March 27, 2024

ARISHES WHICH SING the CREED in English might be interested my setting, dedicated to Saint Felix. It’s the one found in the “appendix” of the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary. In composing this piece, I had four basic goals: (a) I wanted this setting to be interesting, so people don’t get bored after a few weeks. (b) It needed to be singable—so I kept the congregational sections in a low range, with somewhat simple melodies. (c) The congregational sections tend toward a “brighter” reciting tone, while the cantor parts hover around a “darker” reciting tone—again, in the interest of variety. (d) I treated the cadences differently each time, rather than doing the same thing a billion times, over and over.

Yesterday morning—28 March 2024—I recorded the Saint Felix Creed:

Here’s the direct URL link.

*  PDF Download • Gregorian Notation (Treble Clef)
*  PDF Download • Organ Accompaniment (2 pages)
You can download this congregational insert for the Saint Felix Creed. A special version for choir members who can’t read Gregorian notation is also available.

On 20 March 2014, my musical setting was approved for liturgical use in the United States by The Committee on Divine Worship (a standing committee of the United States Conference of Catholic Bishops). The setting is dedicated to my brother, who is a priest.

OR QUITE a surprisingly long time, the CREED continued to be sung in Greek, not Latin. On page 270 of the Saint Isaac Jogues Illuminated Missal you will discover something utterly remarkable: a color photograph from the 11th century with the CREED in both Latin and Greek. The Latin was written on top—in orange letters—and the Greek underneath. As Dr. Peter Wagner wrote: “The scribes seldom knew Greek, so these renderings of Greek texts into Latin characters teem with mistakes of every kind.” Needless to say, singing the Nicene Creed in Latin is also a venerable and ancient tradition.

A Latin Version • If your choir sings in Latin, you might consider the following version. It’s the ancient Gregorian Chant CREDO VII, interspersed with polyphonic sections I composed (as well as astounding canonical excerpts from Father Guerrero). Below is a ‘live’ recording of our 100% volunteer choir singing this version last Sunday.

The polyphonic sections begin at marker 0:33.

Free rehearsal videos for each individual voice await you at #33782.

You’ll notice that rehearsal videos for each individual voice are available. This can save tons of rehearsal time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Musical Setting of the Creed, Roman Missal Third Edition Last Updated: March 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

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