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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2013

Andrew R. Motyka · July 31, 2013

From the NPM Convention in Washington, DC

In the circles I typically frequent, NPM is seen as something of a lost cause. I’ll admit that as recently as a few years ago, I thought so, too.

Jeff Ostrowski · July 30, 2013

Pope Pius XII speaks about the Liturgy (1956)

“Where it can be done away with without too much difficulty on the part of the faithful, it should be abrogated.” — Pope Pius XI on “orchestral Masses” (private letter)

Cynthia Ostrowski · July 30, 2013

Catholic Line Art, Black and White • Installment #27

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · July 29, 2013

How Does One Use The Ordo Cantus Missæ?

The second half of an article about the most important book you’ve never seen.

Corpus Christi Watershed · July 29, 2013

Sixty-Four Years In A Row? Wow!

(Winooski, Vermont) — “An 87-year-old choirmaster who has not missed a Sunday Mass for more than 64 years will receive an honor from His Holiness Pope Pius XII.”

Jeff Ostrowski · July 29, 2013

Ordo Cantus Missae — English Translations

Who should start the “Glory to God” at Mass? Who should intone the Gloria? Ordinary Form.

Fr. David Friel · July 28, 2013

Temporal Parochialism

What We Owe to the Past

Veronica Brandt · July 27, 2013

Comprehensive Conversation on Veils

An interior talk about why woman cover their heads at Mass.

Jeff Ostrowski · July 26, 2013

Photograph of Msgr. Francis P. Schmitt

Photograph of “Father Schmitt” of Boys Town taken during the 1950s.

Richard J. Clark · July 26, 2013

Requiem pour une américaine à Paris

One of the most powerful spiritual experiences I ever had was the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City. Many of the liturgies at the Colloquia have shaken me to the core; I have been overwhelmed with an unspeakable sense of awe, mystery, and joy.

Jeff Ostrowski · July 26, 2013

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Gone forever? “A portable Latin missal which contains everything said or read at Mass.”

Corpus Christi Watershed · July 25, 2013

Cardinal Raymond Leo Burke Interview

“In the reforms as they were introduced after the Council, a fundamental misunderstanding took place. Namely, this was that the reforms were undertaken with the idea there had been a rupture …” —Raymond Cardinal Leo Burke

Dr. Peter Kwasniewski · July 25, 2013

Silence (Part 3 of 3)

The fundamental precondition for active participation is interior silence. Praying in silence is a particularly noble form of human activity—more active than merely speaking or singing.

Andrew R. Motyka · July 24, 2013

Taste Like Salt

In which we music directors get to not act like the hypocrites.

Jeff Ostrowski · July 23, 2013

“I Love Ewe”

“The altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.” — Monsignor Richard J. Schuler

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Eucharistic Prayer II, on account of its particular features, is more appropriately used on weekdays or in special circumstances.”

— §365 from the “General Instruction for the Roman Missal”

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