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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Taste Like Salt

Andrew R. Motyka · July 24, 2013

esterday, I was sitting at the dance studio, waiting for my daughters to be done with their ballet lessons, when I overheard two women in the common area speaking about work. The two of them presumably worked together, and did something like social work or early intervention home visits. All I know is that they were badmouthing their clients and complaining about all of the people and children (!) with whom they spend time. I was quite annoyed, as I found it very unprofessional, and a horrible example. I thought, “What if people overheard me talking like that about the people with whom I work?” Actually, that’s not a bad thing to consider.

My wife, Julie, frequently says that being married to me is like being a celebrity, without any of the perks of being a celebrity. What she means is that she gets recognized everywhere she goes (or at least, she used to when we lived in a small town), and she doesn’t necessarily recognize the person with whom she is speaking. I’ve noticed this, too. People pretty often say to me, “Hey, you’re the music guy, right?”

I’ve also noticed that people have assumptions about my behavior that may or may not be based on my reputation. For example, I once cursed during a choir rehearsal (not at the choir, mind you; for all my flaws, I have never in my life even yelled at a choir). I’m sure it was part of a joke or something, but the members’ eyes got very wide. I could see, “Swearing? Andy swears? I thought he was a professional Choir Boy!”

Actually, I curse far more than I should. It’s been a terrible habit for a long time. But the choir doesn’t realize that. They, and most of the other parishioners, only see me in one context: at Mass, trying to worship and help others to worship as reverently and beautifully as possible. There’s the rub: like it or not, I am an example. No, no one’s individual faith is going to be destroyed because I swore that one time (goodness, I hope not, else I’d be single-handedly responsible for countless damnations). However, there is such a thing as giving scandal, and he behavior of those who are associated with the Church stands out.

Now, this is something that we should all be concerned with as Christians: we are the Light of the World, Salt of the Earth, City of God. One of many lessons we’ve learned from the Abuse Crisis is that the Church should (rightfully) be held to a higher standard. But, like it or not, when you work for the Church, people see you differently than if you hold a strictly secular profession. Tough luck. That’s life.

On that note, please pray for your priests. If I, doing what little I do to build up the Church, feel a bit of pressure in watching my behavior, how much more so do the priests who are on the front lines of the spiritual battle? My burden is extremely light compared to theirs.

Yesterday’s encounter at the dance studio reminded me that people are always watching and always listening. Sometimes our state in life means that more people are watching and listening more than we are comfortable with. Not that we need another motivation to live holy lives, but this is one more reason to think before you speak or act.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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