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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Pius XII speaks about the Liturgy (1956)

Jeff Ostrowski · July 30, 2013

592 Pacelli Rottenburg Nuncio Pacelli — procession in Rottenburg circa 1919 ECENTLY, I had occasion to consider words spoken by Pope Pius XII on 2 November 1954: “This is to be done only for a justifiable reason, and provided the Bishop has not forbidden it because of the danger that the faithful might think it strange.”

We see that Pius XII is careful, lest any novel liturgical actions harm the faithful. I wish bishops had used the pastoral sensitivity of Pius XII in the years following the Second Vatican Council.

Those words of Pius XII remind me of a private letter written by his predecessor, Pope Pius XI:

Of interest is also a responsum privatum of Pius XI to Rev. Beatus Reiser, O.S.B. (June 29, 1930) concerning the use of the orchestra in church: where it has hitherto not been introduced, it should not be in the future; where it can be done away with without too much difficulty on the part of the faithful, it should be abrogated; but where it is an inveterate custom, the use of orchestra should only gradually be cut back till it disappears; in exceptional cases with the Ordinary’s permission, Mass with orchestra can be permitted. Though this is only a private reply, it gives the mind of at least Pius XI on the matter.   [source]

Again, we see the truly pastoral understanding of these great popes.

YEARS AGO, I SHARED with a very smart priest the words of one of the piccoluomini, who had criticized Pius XII for wearing beautiful vestments. I’ll never forget the priest’s reply: “Yes, men like Pacelli actually knew and believed what the Episcopacy represents.” There was nothing more to be said.

Pope Pius XII was, perhaps, the most intelligent person of the entire 20th century. He wrote so much, it would take a lifetime to read it all (with understanding). For instance, his words on “antiquarianism” (Mediator Dei, 20 November 1947) are worth looking at. So are his words about concelebration quoted in the 1958 Instruction. Speaking of concelebration, Bishop Peter J. Elliott has written:

Concelebrating “mentally”, in total silence, is contrary to the practice of the modern Roman Rite. In 1956, anticipating the restoration of concelebration, Pope Pius XII decided that our Rite would follow the Russian practice whereby all concelebrants articulate the words of the epiklesis and the consecration together with the principal celebrant. Cf. Pope Pius XII, Address to the International Congress on Pastoral Liturgy on the Liturgical Movement, September 22, 1956, II. 1, “Actio Christi”.

I strongly recommend reading the following speech (mentioned by Most Rev. Elliott):

      * *  Pope Pius XII speaks about the Liturgy (22 September 1956)

Therein, Pope Pius XII speaks about so many different aspects of liturgy. And now I will not say another word, because this document speaks for itself. Please read it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Concelebration, His Holiness Pope Pius XII Last Updated: March 16, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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