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Views from the Choir Loft

Requiem pour une américaine à Paris

Richard J. Clark · July 26, 2013

NE OF THE MOST powerful spiritual experiences I ever had was the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah. This is saying a lot, as many of the liturgies at the Colloquia, whether in the Ordinary or Extraordinary Form, have shaken me to the core; I have been overwhelmed with an unspeakable sense of awe, mystery, and joy. Even these words are inadequate.

Requiem pour une américaine à Paris is a direct outgrowth of this experience. It is based largely on the Gregorian Chant Propers of the Requiem Mass. It is dedicated to the memory of my beloved aunt and Godmother, Anita Cipriani, who passed on The Feast of the Sacred Heart, just prior to the 2012 Sacred Music Colloquium. It was premiered on All Souls Day in 2012.

A seven-movement work composed for trumpet and organ, it is reminiscent of an early Twentieth Century French Romantic style. Although quite faithful to many of the Gregorian Chants, this is not a liturgical work, but a concert work. It would be difficult to match the music to the liturgical action. However, I hope this may be a helpful and hopeful meditation on God’s merciful love, and our hopeful expectation of eternal life in the words of Credo quod Redemptor: “I believe that my Redeemer lives, and that on the last day, I shall rise from earth and in my flesh I shall behold God my Savior.”

The CD is available for purchase ($9.99) and for download ($6.93) (Amazon, CD Baby, iTunes, etc.). Or you may listen and follow the scores below on YouTube. (Score available at RJC Cecilia Music)

Free Sample from Score:   PDF • VI. Lux aeterna

      YouTube:  I. Introit | Requiem aeternam”
      YouTube:  II. Gradual | Requiem aeternam
      YouTube:  III. Dies Irae
      YouTube:  IV. Jubilis!
      YouTube:  V. Offertory | Domine Jesu Christe”
      YouTube:  VI. Communion | Lux aeterna
      YouTube:  VII. Last Farewell

HIS WORK WAS COMPOSED for Richard Kelley, trumpet. Certainly, the trumpet is rarely, if ever associated with Gregorian Chant. However, Mr. Kelley possesses unusually extraordinary grace, dignity, and humility, all which sing beautifully through his playing. (Listen especially to IV. Lux Aeterna and the quote of “In Paradisum” in the VII. Last Farewell.)

The one movement, which is a departure from the Requiem mass, is the “IV. Jubilis!” It briefly quotes the Tract (which of course comes before the Sequence in the mass—the order is reversed in this concert piece.) It is also loosely based on the Post-Vatican II addition of the “Alleluia” The “Jubilis!” theme returns at the end of the final movement, in hopeful expectation of eternal life in heaven.

ICHARD KELLEY, TRUMPET was a soloist with the Boston Symphony and Boston Pops 1984 and 1985 at the age of 16 and 17. He studied at the Juilliard School in NYC, he is a former member of Boston Brass Quintet and a current member of the Brass Band of Battle Creek. His credits include Broadway shows in NYC, TV ads, and film soundtracks. He has performed with artists such as Andrea Bocelli, Ray Charles, Steven Tyler, James Taylor, Glenn Close, Bernadette Peters, Jennifer Aniston, and Vanessa Williams. Conductor of the New England Swing in Nashua New Hampshire, he now plays frequently with the Boston Pops.

NITA CIPRIANI was a French teacher at Hunter College Elementary School and Convent of the Sacred Heart, both in Manhattan. A consummate educator, she studied in Paris and spent much of her life there. In 1992, she was honored by the French Government at the French Consulate in New York as a Chevalier dans l’Ordre des Palmes Académiques, a decoration founded by Emperor Napoleon I to honor outstanding academics. Her joy of life and her deep faith in God sing on.

• Pictured right: Anita Cipriani and Richard, New York City, 1996

• CD Cover Photography by Rev. James Martin, SJ | Window from St. Mary’s Chapel, Boston College
• Recording Engineer: Evan Landry
• Mastering: Paul Umbach
• Richard Clark played the 1999 Smith & Gilbert Organ Recorded at St. Cecilia Church, Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Quick Thoughts

    PDF • “For General Use Until Advent”
    If you conduct a volunteer choir, you might consider using this Simple Piece #40273 (“Adésto Sáncta Trínitas”) which can be used during the rest of the liturgical season until Advent. It's based on the well known hymn tune: OLD HUNDREDTH. Rehearsal videos are available at #40691. A live recording of #40273 (“Adésto Sáncta Trínitas”) by a volunteer choir is here (#40065).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“Pope Francis breaks Catholic traditions whenever he wants because he is free from disordered attachments. Our Church has indeed entered a new phase: with the advent of this first Jesuit pope, it is openly ruled by an individual rather than by the authority of Scripture alone or even its own dictates of tradition plus Scripture.”

— Fr. Thomas Rosica (31 July 2018)

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