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Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Archives for July 2013

Andrew R. Motyka · July 31, 2013

From the NPM Convention in Washington, DC

In the circles I typically frequent, NPM is seen as something of a lost cause. I’ll admit that as recently as a few years ago, I thought so, too.

Jeff Ostrowski · July 30, 2013

Pope Pius XII speaks about the Liturgy (1956)

“Where it can be done away with without too much difficulty on the part of the faithful, it should be abrogated.” — Pope Pius XI on “orchestral Masses” (private letter)

Cynthia Ostrowski · July 30, 2013

Catholic Line Art, Black and White • Installment #27

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · July 29, 2013

How Does One Use The Ordo Cantus Missæ?

The second half of an article about the most important book you’ve never seen.

Corpus Christi Watershed · July 29, 2013

Sixty-Four Years In A Row? Wow!

(Winooski, Vermont) — “An 87-year-old choirmaster who has not missed a Sunday Mass for more than 64 years will receive an honor from His Holiness Pope Pius XII.”

Jeff Ostrowski · July 29, 2013

Ordo Cantus Missae — English Translations

Who should start the “Glory to God” at Mass? Who should intone the Gloria? Ordinary Form.

Fr. David Friel · July 28, 2013

Temporal Parochialism

What We Owe to the Past

Veronica Brandt · July 27, 2013

Comprehensive Conversation on Veils

An interior talk about why woman cover their heads at Mass.

Jeff Ostrowski · July 26, 2013

Photograph of Msgr. Francis P. Schmitt

Photograph of “Father Schmitt” of Boys Town taken during the 1950s.

Richard J. Clark · July 26, 2013

Requiem pour une américaine à Paris

One of the most powerful spiritual experiences I ever had was the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City. Many of the liturgies at the Colloquia have shaken me to the core; I have been overwhelmed with an unspeakable sense of awe, mystery, and joy.

Jeff Ostrowski · July 26, 2013

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Gone forever? “A portable Latin missal which contains everything said or read at Mass.”

Corpus Christi Watershed · July 25, 2013

Cardinal Raymond Leo Burke Interview

“In the reforms as they were introduced after the Council, a fundamental misunderstanding took place. Namely, this was that the reforms were undertaken with the idea there had been a rupture …” —Raymond Cardinal Leo Burke

Dr. Peter Kwasniewski · July 25, 2013

Silence (Part 3 of 3)

The fundamental precondition for active participation is interior silence. Praying in silence is a particularly noble form of human activity—more active than merely speaking or singing.

Andrew R. Motyka · July 24, 2013

Taste Like Salt

In which we music directors get to not act like the hypocrites.

Jeff Ostrowski · July 23, 2013

“I Love Ewe”

“The altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.” — Monsignor Richard J. Schuler

Jeff Ostrowski · July 23, 2013

Were You An Altar Boy In The 1960s?

Do you recall trying to memorize the “Confiteor” and the dreaded “Suscipiat” to serve at Mass?

Corpus Christi Watershed · July 22, 2013

A Personal Remembrance . . .

“Could I have imagined at that time that I was sitting and conversing with the future Pope? Not in a million years!” — Fr. Christopher G. Phillips

Cynthia Ostrowski · July 22, 2013

Catholic Line Art, Black and White • Installment #26

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Fr. David Friel · July 21, 2013

High School Students

Finding God

Veronica Brandt · July 20, 2013

Here I owned Thy Presence

Owning up to the True Presence of Christ in the Eucharist. Do hymns help?

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Quick Thoughts

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski
PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

Recent Posts

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  • Alabama Assessment!
  • “How Has Nobody Done This Before?” • Vol. 1
  • “Exceeded Every Expectation!” • Mr. O’Brien’s Review
  • “81 Photos” • Sacred Music Symposium 2022

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