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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2013

Fr. David Friel · June 30, 2013

Basilica Music Academy

A New Venture

Veronica Brandt · June 29, 2013

Of Singers and Drawers

Can’t sing, can’t draw, can type a little.

Richard J. Clark · June 28, 2013

Begin From the Beginning—Interesting Things Will Happen

I have not even begun to speak of music at liturgy, music worthy of praising the God who loves us to the point of death on a cross. Where will this understanding lead us in our sacred music? Interesting things happen in our lives when we worship God.

Corpus Christi Watershed · June 28, 2013

Henri Potiron Organist Vesperale (PDF Download)

Henri Potiron’s 1935 organ accompaniments for Vespers (270 pages) for free download!

Dr. Peter Kwasniewski · June 27, 2013

The Spirit of Solesmes

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy.

Jeff Ostrowski · June 26, 2013

Gregorian Missal With The New Translation!

Can anyone help me understand this sentence in the Foreword?

Corpus Christi Watershed · June 26, 2013

Did you know Lasso suffered from depression?

Lassus (†1594) was a celebrity musician in his day, and at least 2,000 of his masses, canticles, motets and hymns have survived. He was also bipolar, then called “melancholia hypochondriaca.”

Jeff Ostrowski · June 26, 2013

Video Demonstration Of Polyphony

I hope you enjoy this SATB version of the St. Edmund Arrowsmith Mass, a simple musical setting for “MR3” (Roman Missal, 3rd Edition).

Cynthia Ostrowski · June 25, 2013

Catholic Line Art, Black and White • Installment #22

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · June 24, 2013

The Gather Hymnal

Excuse me, but . . . Say what? “If Christ entered the room, we’d be on our feet in an instant. We would not kneel.”

Fr. David Friel · June 23, 2013

Colloquium 2013

Another Year of Blessings

Jeff Ostrowski · June 23, 2013

Two (2) Errors In Printed Chabanel Book

There have been several errors found in the Chabanel Psalms Vocalist Book.

Veronica Brandt · June 22, 2013

Ut Queant Laxis time soon!

The hymn that gave us “Do Re, Mi” and how to type it. PDF score included.

Richard J. Clark · June 21, 2013

St. Paul’s Choir School, Harvard Square | A Unique Catholic Education

The St. Paul Choir School is now looking for talented third grade boys to apply and audition for entry in September of 2013. Director, John Robinson states,“The daily round of sung liturgy provides the perfect training ground for young singers.”

Jeff Ostrowski · June 20, 2013

Letter To Hans Küng . . . in 1963!

“Where on earth do you come up with the notion of omitting the Gradual? You talk about the necessity of going back to the very oldest of the Church’s traditions.” — Msgr. Francis P. Schmitt

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

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