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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Colloquium 2013

Fr. David Friel · June 23, 2013

ALT LAKE CITY is a beautiful place. I have spent the last week here, along with some of you, participating in the annual Sacred Music Colloquium, sponsored by the CMAA. So many of the graces of my first Colloquium two years ago have been renewed throughout this week.

Again this year, I learned an incredible amount. With the help of a talented faculty, I cracked the code on the basics of chironomy, learned the fundamentals of modern conducting, and gained the confidence to approach the bass part of Guerrero’s phenomenally colorful Requiem Mass. We were blessed to hear an engaging personal witness from Msgr. Wadsworth of ICEL, and Archbishop Sample of Portland offered the most extraordinary statement on sacred music and the cosmic liturgy I have heard from any bishop other than our beloved Pope Emeritus. We participated in liturgies brimming with beauty, and the Gloria from the Mass of the English Martyrs (available from Corpus Christi Watershed!) was even featured at Sunday’s closing Mass.

Perhaps more than any of these things, what I have enjoyed most about my Colloquium experiences has been the opportunity to meet other musicians committed to making music consonant with the mind of the Church. When we think we are alone—that no one else longs for authentically sacred music—we should remind ourselves that it isn’t so. There are good people throughout our country (and beyond) who share the vision and the burden.

The folks I have met in Pittsburgh and in Salt Lake City are not merely kindred spirits, but true friends. For this reason, Colloquium is a wonderful experience. If you have never been to one, consider attending next year, perhaps bringing along another choir member or priest. It’s a time for those of us who know each other mostly via the Internet to spend time in one another’s presence; it’s a time to challenge one another, to learn from one another, and to encourage one another.

May the Lord continue to prosper the work of our hands, our hearts, and our voices!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

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Quick Thoughts

16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski
14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski
14 May 2022 • Gorgeous Book

If there is a more beautiful book than Abbat Pothier’s 1888 Processionale Monasticum, I don’t know what it might be. This gorgeous tome was today added to the Saint John Lalande Online Library. I wish I owned a physical copy.

—Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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