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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for March 2013

Fr. David Friel · March 31, 2013

He Saw & Believed

The Beloved Disciple & the Virtue of Faith

Richard J. Clark · March 31, 2013

The Power of Gregorian Chant

A crowd of nearly 1,000 people, many who don’t come to mass, many who may not prefer Gregorian Chant, many who know nothing about chant—fell silent.

Jeff Ostrowski · March 30, 2013

Which Instruments Are Allowed At Mass?

Fr. Hogan’s argument reminds me of a comment by Fr. George Rutler, quoting Victor Borge: “My father and uncle were identical twins, but I never knew which was the identical one.”

Richard J. Clark · March 29, 2013

Suffering, Death, and Children’s Questions

“Why the Cross?” Little children are rarely afraid to ask the questions that adults are afraid to ask.

Fr. David Friel · March 29, 2013

Feeling the Absence

The Experience of Good Friday

Guest Author · March 29, 2013

Sacred Choral Program (Living Water College)

“Open your soul to truth and beauty this Summer. Expand your mind, build your repertoire of church music, and enter into Mass more profoundly than you may have thought possible.” — Ms. Nicole Dunn, Alberta (Canada)

Jeff Ostrowski · March 29, 2013

The Pius X Hymnal by Dr. Theodore Marier

In conclusion, although I have tremendous respect for Dr. Theodore Marier, I expected a lot more from this book based on its “reputation.” I hope my honest observations do not offend anyone.

Dr. Peter Kwasniewski · March 28, 2013

Banish All Guitars and Pianos from the Church

The increasingly obvious failure of contemporary church music should occasion a more widespread rejection of piano and guitar as accompanying or interluding instruments.

Andrew R. Motyka · March 27, 2013

Free Communion Antiphons!

Free responsorial-style Communion antiphons for Ordinary Form Mass use.

Corpus Christi Watershed · March 27, 2013

Cardinal Burke, Maestro Charles Cole, A Great Blog

“Afterwards I had an opportunity to speak with Cardinal Burke and he spoke of the importance of Sacred Music. We also talked about the Church Music Association of America and the important work which this organisation does. He went back to his office and returned with a gift for me . . .” — Mæstro Charles Cole

Cynthia Ostrowski · March 26, 2013

Catholic Line Art, Black and White • Installment #11

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · March 26, 2013

Why Is This Interview Not Better Known?

“We are today not another Church as 500 years ago. It is always the same the Church. What is one time holy for the Church is always holy for the Church and is not in [an] other time an impossible thing.” — Cardinal Ratzinger, speaking in English to Raymond Arroyo (2003)

Aristotle A. Esguerra · March 25, 2013

The Cross of Christ and Liturgical Language

To effectively defend the use of the liturgical languages of the Latin Rite in the rite’s mostly vernacular Ordinary-Form expressions, we must look to the Cross.

Jeff Ostrowski · March 25, 2013

Jesuits, Juilliard, And The Latin Mass In Florida

“When you attend the Latin Mass, what you realize is, it doesn’t really matter how you feel that day, whether you feel happy or sad: you’re entering into something far greater than you.” — Fr. J. Patrick Hough, S.J.

Fr. David Friel · March 24, 2013

The “Basically Good Person”

And the Work of the Devil

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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