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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2013

Fr. David Friel · March 31, 2013

He Saw & Believed

The Beloved Disciple & the Virtue of Faith

Richard J. Clark · March 31, 2013

The Power of Gregorian Chant

A crowd of nearly 1,000 people, many who don’t come to mass, many who may not prefer Gregorian Chant, many who know nothing about chant—fell silent.

Jeff Ostrowski · March 30, 2013

Which Instruments Are Allowed At Mass?

Fr. Hogan’s argument reminds me of a comment by Fr. George Rutler, quoting Victor Borge: “My father and uncle were identical twins, but I never knew which was the identical one.”

Richard J. Clark · March 29, 2013

Suffering, Death, and Children’s Questions

“Why the Cross?” Little children are rarely afraid to ask the questions that adults are afraid to ask.

Fr. David Friel · March 29, 2013

Feeling the Absence

The Experience of Good Friday

Guest Author · March 29, 2013

Sacred Choral Program (Living Water College)

“Open your soul to truth and beauty this Summer. Expand your mind, build your repertoire of church music, and enter into Mass more profoundly than you may have thought possible.” — Ms. Nicole Dunn, Alberta (Canada)

Jeff Ostrowski · March 29, 2013

The Pius X Hymnal by Dr. Theodore Marier

In conclusion, although I have tremendous respect for Dr. Theodore Marier, I expected a lot more from this book based on its “reputation.” I hope my honest observations do not offend anyone.

Dr. Peter Kwasniewski · March 28, 2013

Banish All Guitars and Pianos from the Church

The increasingly obvious failure of contemporary church music should occasion a more widespread rejection of piano and guitar as accompanying or interluding instruments.

Andrew R. Motyka · March 27, 2013

Free Communion Antiphons!

Free responsorial-style Communion antiphons for Ordinary Form Mass use.

Corpus Christi Watershed · March 27, 2013

Cardinal Burke, Maestro Charles Cole, A Great Blog

“Afterwards I had an opportunity to speak with Cardinal Burke and he spoke of the importance of Sacred Music. We also talked about the Church Music Association of America and the important work which this organisation does. He went back to his office and returned with a gift for me . . .” — Mæstro Charles Cole

Cynthia Ostrowski · March 26, 2013

Catholic Line Art, Black and White • Installment #11

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · March 26, 2013

Why Is This Interview Not Better Known?

“We are today not another Church as 500 years ago. It is always the same the Church. What is one time holy for the Church is always holy for the Church and is not in [an] other time an impossible thing.” — Cardinal Ratzinger, speaking in English to Raymond Arroyo (2003)

Aristotle A. Esguerra · March 25, 2013

The Cross of Christ and Liturgical Language

To effectively defend the use of the liturgical languages of the Latin Rite in the rite’s mostly vernacular Ordinary-Form expressions, we must look to the Cross.

Jeff Ostrowski · March 25, 2013

Jesuits, Juilliard, And The Latin Mass In Florida

“When you attend the Latin Mass, what you realize is, it doesn’t really matter how you feel that day, whether you feel happy or sad: you’re entering into something far greater than you.” — Fr. J. Patrick Hough, S.J.

Fr. David Friel · March 24, 2013

The “Basically Good Person”

And the Work of the Devil

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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