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Views from the Choir Loft

Singing the Mass

Fr. David Friel · April 19, 2015

“Proper Of The Mass” (Ignatius Press) • Part 4 of 7

The Next Big Thing Is Here

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Richard J. Clark · April 10, 2015

Let This Holy Building Shake with Joy!

Sometimes everything comes together. How is this achieved? Here are a few ways.

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Richard J. Clark · March 13, 2015

Simply Stunning | Sacred Music of Paul Jernberg

A simply stunning “Salve Regina” and the “Mass of Saint Philip Neri”

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Richard J. Clark · February 20, 2015

Permission Needed to Replace the Propers?—(1 of 7)

“Tacit approval” alone isn’t getting the job done. It is abdicating authority to composers and publishers, pastors and liturgists.

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Richard J. Clark · December 26, 2014

Scripture, Sacred Music, and the Actions of Our Lives

Let’s not minimize the role of the psalms in the mass to the Responsorial! Plus a FREE download of the Epiphany Communion antiphon.

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Fr. David Friel · December 21, 2014

Progressive Solemnity

A Reverse Concept?

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Richard J. Clark · November 28, 2014

A self-fulfilling prophecy and why we don’t sing the Creed

But how many times have we heard: “We shouldn’t use that that because nobody can sing it.” This is a self-fulfilling prophecy, is it not?

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Richard J. Clark · November 7, 2014

Can’t sing? Sing the dialogues!

Reverence, prayer, and internal participation increased through this act of external participation.

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Fr. David Friel · October 12, 2014

The Society for Catholic Liturgy

Two Contributions from CCW Bloggers

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Fr. David Friel · July 20, 2014

Basic Steps To Improve Music At Your Parish — Part 5

Silence is one of the most important sounds of the liturgy.

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Richard J. Clark · July 11, 2014

Unified Repertoire | Piano, Guitar, and Organ Accompaniments for the ICEL Chants

If the ICEL chants (or another Gregorian setting) are used at all the masses in a parish, it develops unity. It also helps a parish refrain from being multiple communities under the same roof.

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Richard J. Clark · June 20, 2014

Archbishop Sample’s Letter on Sacred Music (5 of 8)

The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.

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Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

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Richard J. Clark · May 23, 2014

Mass in Honor of Pope Saint John Paul II on “Sounds from the Spires” and the Youth-Based Chant Movement

On air discussion with Dr. Jennifer Pascual, Director of Music at St. Patrick’s Cathedral – the youth-propelled chant movement, the new economic model of publishing, and how these are reshaping the liturgical landscape…and broadcast of the “Mass in Honor of Pope Saint John Paul II”.

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Richard J. Clark · April 27, 2014

Mass in Honor of Pope Saint John Paul II

FREE DOWNLOAD of the complete score AND recordings.

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Corpus Christi Watershed

President’s Corner

    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski
    Sacred Music “Pro Tip”
    Our website welcomes millions of visitors, yet surprisingly few find their way to the actual blog page itself. If you are among them, bookmark it today. Numerous articles and resources await you—but these treasures belong to those who explore each article, not merely its title. The headline is only the doorway; the substance lies within.
    —Jeff Ostrowski
    Music List • (29th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC which I created for this coming Sunday, the 29th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. The INTROIT for this Sunday explains why this Sunday is called “Apple Sunday.” As we approach the end of the liturgical year, most of the INTROITS seem to be in Mode III or Mode IV, which are ‘haunting’ tones.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Singers’ Booklet” (26 Pages)

    This is a ‘messy’ booklet in terms of its formatting, but it’s only ever seen by the singers—not members of the congregation.

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    —Jeff Ostrowski
    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

Recent Posts

  • Stained Glass Window • Father Brébeuf
  • PDF • “Singers’ Booklet” (26 Pages)
  • Sacred Music “Pro Tip”
  • PDF Chart (33,344 words) • “Graduale Romanum”—Spanish, English: Multiple Approved Translations
  • Music List • (29th Sund. Ordinary Time)

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