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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Repeating Repertoire

William J. Fritz · April 15, 2020

Repeating Repertoire? • William Fritz

As church musicians, we have incredible responsibility and influence.

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Andrea Leal · April 4, 2020

Repeating Repertoire? • Andrea Leal

To repeat or not to repeat: that is the question!

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Dr. Gregory Hamilton · April 1, 2020

Repeating Repertoire? • Dr. Hamilton

Psalm 51 occurs a dozen times in the lectionary during the year, for such diverse days such as St. Thomas Aquinas, weekdays during ordinary Time, many days in Lent, and the Easter Vigil.

Wilfrid Jones · March 31, 2020

Repeating Repertoire? • Wilfrid Jones

Post-Liberal Theology compares a religion to a language. How might that comparison, which could include the concept of a “vocabulary” of liturgical music, inform how we think about repeating repertoire?

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Veronica Brandt · March 31, 2020

Repeating Repertoire? • Veronica Brandt

Sometimes a music director can encounter criticism about the music program. The good side of this is that it shows that someone cares.

Christopher Mueller · March 30, 2020

Repeating Repertoire? • Christopher Mueller

I’m sure I’m not the only one to feel this way: certain celebrations don’t feel right without “that piece.”

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Richard J. Clark · March 28, 2020

Repeating Repertoire? • Richard J. Clark

“Repetition” in the Age of Streaming Masses…

Veronica Moreno · March 27, 2020

Repeating Repertoire? • Veronica Moreno

My own growth as a musician for the Liturgy has culminated in my pastor allowing me to sing the Propers in English: the realization of a decade-long dream.

Dr. Lucas Tappan · March 26, 2020

Repeating Repertoire? • Dr. Tappan

“The tunes and ditties of the radio will be meaningless in the magnitude of one’s final moments; only the psalms can bear the weight of the moment.” —Barry Rose

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Dr. Alfred Calabrese · March 25, 2020

Repeating Repertoire? • Dr. Calabrese

“I have made the mistake in the past of scheduling a whole set of new pieces for three of four weeks in a row.”

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Jeff Ostrowski · March 24, 2020

Repeating Repertoire? • Jeff Ostrowski

There’s an old saying: “Show me your friends, and I will tell you who you are.”

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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