Views from the Choir Loft

Learn a new word see it within 24 hours

Jeff Ostrowski · November 4, 2024

“I Bow to Rebecca Raber Who Oversees the Music in This Chapel.” —Mike Aquilina

“This is not the choir!” … exclaims Mike Aquilina.

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Jeff Ostrowski · June 1, 2015

GIA Publications: “Painful Blessing Of A New Sensitivity”

I really don’t “get” the lyrics in Catholic hymnals by the major publishers.

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Jeff Ostrowski · December 17, 2013

Reason #6634 “Sing To The Lord” Was Not Submitted To Rome For Approval

Why should something invented in 1968 be “preferred” to the immemorial tradition of the Catholic Church?

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Jeff Ostrowski · September 11, 2013

Fr. Godfrey Diekmann “Foaming At The Mouth”

As he lay dying, St. John Vianney’s confessor whispered, “Hide my whip, hair shirt, and other instruments of penance. If people find them, they’ll think I’m in Heaven, and won’t pray for me.”

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Jeff Ostrowski · May 7, 2012

Learn A New Word, See It Within 24 Hours (5)

“Good things come to them what wait.” This bizarre phenomenon continues to haunt my life.

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Jeff Ostrowski · April 23, 2012

Learn A New Word, See It Within 24 Hours (4)

“What I’m tempted to believe rises to the level of an axiom: We always have time for whatever it is that we want to have time for.”

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Jeff Ostrowski · January 13, 2012

Learn A New Word, See It Within 24 Hours (3)

The phenomenon continues.

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Jeff Ostrowski · December 12, 2011

Learn A New Word, See It Within 24 Hours

Happens every time . . .

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Jeff Ostrowski · April 17, 2011

Proof Beyond A Shadow Of A Doubt

Whenever you learn a new word, you will see it within 24 hours.

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Eucharistic Prayer No. 2 on Sundays?

Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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—Jeff Ostrowski

Knox. Has. No. Equal.

Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.

—Jeff Ostrowski

Proportionalist Plainchant • (Documented)

On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.

—Jeff Ostrowski

“Predictable Rhymes?” • A Follow Up

We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?

—Jeff Ostrowski

‘Ould’ But Not Good

Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.

—Jeff Ostrowski

“Reader Feedback” • 22 June 2026

A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊

—Corpus Christi Watershed