Views from the Choir Loft

Johann Sebastian Bach

Dr. Charles Weaver · March 5, 2025

Solmization from the Inside, Part 3

Making the case for the (very) old method of solfège, or, what is so sharp about sharp notes?

Jeff Ostrowski · February 13, 2024

“Ite, Missa Est” • What Does That Actually Mean?

Bishop Ambo’s assertion that Mass was attended—for centuries—by a single woman (and nobody else) is bizarre.

Jeff Ostrowski · February 4, 2023

Church Music Shouldn’t Be “Headache-Inducing”

Authentic sacred music should attract people. It should not drive them away.

Jeff Ostrowski · December 19, 2022

J.S. Bach “Alleluia” • Director Posts Live Recording!

Our singers really love this one…

Jeff Ostrowski · December 13, 2022

PDF Download • “Advent Eucharistic Hymn”

I don’t know a more powerful exposition on the Holy Eucharist than this striking hymn by Archbishop Pecham!

Jeff Ostrowski · September 28, 2022

PDF Download • SATB “Alleluia” by J.S. Bach

This short piece shimmers with beauty. The arrangement is by Monsignor René Moissenet.

Jeff Ostrowski · September 7, 2020

Jeff Ostrowski • “Three Rules For Good Music”

But we have not spoken very much about Baroque music…

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Fr. David Friel · October 8, 2017

In the Beauty of Holiness: Music and the Transcendent

New Lecture Series at the International Institute for Culture

Dr. Peter Kwasniewski · March 6, 2014

Seven Theses for the Evaluation of Music

Let us listen consistently to the greatest works in music and make them the exemplars, the teachers, the inspirations and consolations of our interior life as aesthetic beings.

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

“Yahweh” in church songs?

My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.

—Jeff Ostrowski

“Music List” • Pentecost Sunday

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker