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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Search Results for: westminster

A B C D F etc. — An Ancient “Alphabetical” Hymn

Jeff Ostrowski · May 11, 2020

This hymn by Caelius Sedulius (Christian Poet from the 5th century) has been translated into English by a Catholic priest.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 14, 2020

Repeating Repertoire? • Wilfrid Jones

Wilfrid Jones · March 31, 2020

Post-Liberal Theology compares a religion to a language. How might that comparison, which could include the concept of a “vocabulary” of liturgical music, inform how we think about repeating repertoire?

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Filed Under: Articles Tagged With: Repeating Repertoire, Stepping off the hamster wheel Last Updated: May 1, 2020

Vaughan Williams’ Sage Advice for Those Appointing Martin Baker’s Successor

Dr. Lucas Tappan · February 25, 2020

A comment on the importance of the role of director of music a Westminster Cathedral, following the resignation of Martin Baker, offered by Gregory Treloar.

Filed Under: Articles Last Updated: February 26, 2020

PDF Download • “What Makes A Good Hymn?”

Jeff Ostrowski · February 6, 2020

Dr. Terry says: “The melody must be clearly defined, free from triviality and trite clichés, avoiding harmonies that are sugary or sensuous.”

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Filed Under: Articles Tagged With: Common Hymn Melodies, Jean de Brebeuf Hymnal, Roman Catholic Hymnals, Sir Richard Runciman Terry Last Updated: February 26, 2022

The Institution as Formator (Part I)

Dr. Lucas Tappan · February 4, 2020

Everyone is searching for a silver bullet. Perhaps it’s a certain education method, a special book or a technique. Standing somewhat in opposition to all of these various techniques and methods is the English choir school, where the director stands in front of the boys and says “that’s an A, now sing it!”

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Filed Under: Articles Last Updated: February 4, 2020

St. Jean de Lalande Library of Rare Books

“The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music

Here is Where We Go

Dr. Lucas Tappan · January 22, 2020

What is absolutely necessary for the existence of a choral foundation?

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Filed Under: Articles Last Updated: January 22, 2020

Colin Mawby (1936-2019)

Dr. Lucas Tappan · November 26, 2019

We commend his soul to the mercy of our Heavenly Father.

Filed Under: Articles Last Updated: January 1, 2020

A Professional Choir in Six (6) Years

Dr. Lucas Tappan · October 29, 2019

Support was key, but once Glenn had the necessary vision and support, the rest was a matter of putting one foot in front of the other.

Filed Under: Articles Last Updated: January 1, 2020

A Professional Choir in Six Months

Dr. Lucas Tappan · October 15, 2019

I often wonder if some of the vitriol directed against the Church’s music is due to its less than stellar presentation.

Filed Under: Articles Last Updated: January 1, 2020

A *What* School ?!!

Dr. Lucas Tappan · October 1, 2019

These are things a choir director needs to think about as he plans to build a successful choral foundation at his own cathedral or parish.

Filed Under: Articles Last Updated: January 1, 2020

So… You Can’t Visit a Choir School

Dr. Lucas Tappan · September 24, 2019

Choir Schools would help to fill our parishes with congregations and choir members who would expect real sacred music sung to a high degree…

Filed Under: Articles Last Updated: January 1, 2020

Leo Abbott to Rededicate Landmark E. & G. G. Hook & Hastings Organ, Opus 801

Richard J. Clark · September 6, 2019

This pipe organ will be heard as it has never been in our lifetimes.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: January 1, 2020

Brébeuf #379 • “Quem Terra” (Melcombe)

Jeff Ostrowski · August 3, 2019

One of the most popular melodies in Catholic hymnals of yesteryear.

Filed Under: Articles Tagged With: Sir Richard Runciman Terry Last Updated: September 4, 2020

“Boys Like A Challenge!” • Charles Cole Interviewed

Corpus Christi Watershed · July 20, 2019

“If you set the bar low, a boy will crawl underneath it—but if you set the bar high, he will leap over it.” —Charles Cole

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • Worship the Lord in Holy Attire
  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year

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