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Corpus Christi Watershed

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Views from the Choir Loft

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Corpus Christi Watershed · December 23, 2024

Reader Question • “Extra Verses” for the Propers

Jeff Ostrowski answers a reader’s question with nine (9) statements.

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Jeff Ostrowski · December 20, 2024

“Source and Summit” • What Is That?

Notice how Dom Franquesa (without explanation) stealthily annihilates sacrifice, sin, and the adoration we owe God.

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Jeff Ostrowski · December 20, 2024

Rorate Caeli + ICEL + Dynamic Equivalence

There’s an old adage: “Once stung, twice shy.”

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Jeff Ostrowski · December 19, 2024

“Music List” (4th Sunday of Advent, Year C)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · December 19, 2024

“Entrance Chant” • 4th Sunday of Advent

Like so many Advent antiphons, this one is in the first mode and comes from the prophet Isaiah.

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Jeff Ostrowski · December 18, 2024

Communion (4th Sunday of Advent)

It certainly seems like most of the Advent antiphons come from the book of Isaiah…

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Jeff Ostrowski · December 18, 2024

PDF Download • New Version of “What Child Is This” (SATB) … as of 18 December 2024

A different version was requested. I was able to complete that task earlier today.

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Jeff Ostrowski · December 17, 2024

PDF Download • “Order of Music” (Funerals)

I have made some changes to my “musical list” for funerals.

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Jeff Ostrowski · December 17, 2024

PDF Download • “The First Nowell” in Latin — Simplified Version (2024) for Choir & Organ

If you have items you’d like to learn (such as how to make multi-track rehearsal videos) please email them to us.

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Jeff Ostrowski · December 13, 2024

PDF Download • “What Child Is This?” (SATB arr.)

In my view, this one falls within the “Top Ten” list of Christmas carols.

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Jeff Ostrowski · December 8, 2024

“Entrance Chant” • 3rd Sunday of Advent

This Introit is in the first mode.

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Jeff Ostrowski · December 7, 2024

For The Record …

It strikes me as quite “Adventy”—for lack of a better term.

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Jeff Ostrowski · December 7, 2024

PDF • “Advent Kyrie Accompaniment”

Kyrie XVII: “In dominicis Adventus et Quadragesimae.”

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Jeff Ostrowski · December 6, 2024

Music List • (Immaculate Conception)

Readers have expressed interest in perusing the “music list” I’ve prepared for this feast.

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Jeff Ostrowski · December 6, 2024

PDF Download • “Musical Outline” for the Feast of Our Lady’s Immaculate Conception

Rachmaninoff said: “Nine hours? That’s nothing. For a period of my life, I used to practice 17 hours a day.”

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

Recent Posts

  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration

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