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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · September 24, 2022

“North American Martyrs” • Stained Glass Window

Their feast is on Monday (in Canada and the EF)!

Jeff Ostrowski · September 24, 2022

“Nobody Cares About This” • (Except Me!)

I’ve attempted to create a recording for this coming Sunday according to the official rhythm…

Dr. Lucas Tappan · September 21, 2022

Saint Brigid’s School • New Choir School for the Cathedral of Saint Mary (San Francisco)

Thirty years ago most pastors would not have been open to inaugurating good sacred music programs in their parishes, but times have changed.

Corrinne May · September 20, 2022

“My Reflections” • Re: 2022 Symposium Keynote

“I ended up spending hours, transcribing each and every word from Father Fryar’s Symposium lecture. Although it took many hours, I relished the process.” —Corrinne May

Jeff Ostrowski · September 20, 2022

PDF Download • Brief Polyphonic “Asperges Me” for SATB by Father Guerrero (d. 1599)

Here’s my attempt at recording all the voices myself, to give you a rough idea how it sounds.

Jeff Ostrowski · September 20, 2022

Official USCCB Synod Document: “The Limited Access to the 1962 Missal Was Lamented…”

In this official document, we find a remarkable statement!

Jeff Ostrowski · September 18, 2022

“An Irish Hymnal?” • 126 Pages (English and Gaelic)

I find this hymn quite beautiful—and singers love it!

Veronica Brandt · September 17, 2022

Adding More Spaces around Bar Lines in Gregorio

Some useful tips on adjusting the spacing in Gregorio scores.

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Corpus Christi Watershed · September 16, 2022

“Did Bishop Burbidge Violate Canon 932 in Order to Punish His Flock?”

“Holy Trinity is where Josh came into the Church, went through RCIA, and was married…”

Jeff Ostrowski · September 14, 2022

“Isolation Camps” for Summórum Catholics?

Today is the 15th anniversary of “Summorum Pontificum”—and some clerics are choosing coercion where persuasion has failed.

Jeff Ostrowski · September 13, 2022

PDF Download • 2-Voice Eucharistic Hymn by Flor Peeters (45 pages) • Includes a Descant!

Lyrics in English, with an (optional) version in Latin.

Dr. Charles Weaver · September 12, 2022

Pre-Reformation Polyphony among the Recusants

What happened to all that polyphony once Catholicism became illegal?

Jeff Ostrowski · September 10, 2022

PDF Download • “Choir Warm-Up Exercise”

Your singers might enjoy this vocal warm-up exercise I composed for a volunteer choir.

Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

Keven Smith · September 9, 2022

The Decaffeinated Choir Director: Yes, It’s Possible

Reflections on one year with no caffeine. Find out what to expect if you try it.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

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