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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · October 26, 2022

“Dates Revealed” • 2023 Sacred Music Symposium

Mark your calendars for this life-changing conference!

Dr. Charles Weaver · October 23, 2022

An Upcoming Concert in NYC

Announcing a concert next Saturday in honor of Christ the King.

Patrick Williams · October 23, 2022

“Beginning with the End in Mind” • Adoration, Thanksgiving, Atonement, Petition

Saint Thomas More said: “The things, good Lord, that we pray for, give us the grace to labor for.”

Jeff Ostrowski · October 22, 2022

“Vespers of the Dead” • Most Elaborate Book of Hours I’ve Ever Seen

Our Lord said that if men withheld their praise of Him, “the very stones would cry out…”

Keven Smith · October 20, 2022

Hidden Gem: Dormi Jesu (Luc Jakobs)

This striking Christmas motet puts Latin text atop jazzy harmonies to lull Our Infant Lord to sleep.

Follow the Discussion on Facebook

Jeff Ostrowski · October 19, 2022

19 October 2022 • Feast of Saint Isaac Jogues & Companions

In Canada, they list Father Brébeuf first—in the United States, Father Jogues.

Jeff Ostrowski · October 19, 2022

PDF Download • “Hymn List For Sundays” (until 8 December 2022)

As a child, Rex Harrison contracted measles, which took away the sight from his left eye for the rest of his life.

Jeff Ostrowski · October 17, 2022

“Hymn By A Saint” • For All Saints (November 1st)

There’s something truly ‘haunting’ about this melody by Flor Peeters—and once it’s in your head, it’s hard to banish!

Jeff Ostrowski · October 15, 2022

USCCB • “Principal Music Books for the Eucharist”

The principal books of music for the Eucharist were recently (re-)confirmed by the United States Conference of Catholic Bishops.

Corpus Christi Watershed · October 13, 2022

“Fearfully and Wonderfully Made” • New album from Richard Kelley & Richard J. Clark

Famed Boston trumpeter (Richard Kelley) and Boston Cathedral choirmaster (Richard J. Clark) explore the depths of human frailty, struggle, and dignity …

Jeff Ostrowski · October 13, 2022

PDF Download • “Salve Regina” Chant in English (Four Different Versions)

I never knew these existed until earlier today!

Jeff Ostrowski · October 11, 2022

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!

Jeff Ostrowski · October 11, 2022

“Times & Locations” • Traditional Latin Masses in the Diocese of Arlington

Bishop Burbidge has forbidden eight parishes from publishing Mass times in their bulletins, parish websites, or social media channels!

Dr. Charles Weaver · October 9, 2022

The Solesmes Episema and Contemplation

Are we even singing the Solesmes rhythm at all?

Jeff Ostrowski · October 6, 2022

“Bravery!” • Schola Director Posts ‘Live’ Recording

“The portable organ shall be lowered into the quire to accompany the singers, who shall sing solos in their order of seniority…” —1604 document

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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