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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · December 31, 2022

“Requiescat In Pace” • Pope Emeritus Benedict XVI

Let us pray for the repose of the soul of Josef Ratzinger, who did so much good for the church.

Jeff Ostrowski · December 26, 2022

“… Ripped From A Live-Feed …”

Saint John Vianney, while in the presence of the Blessed Sacrament, could scarcely speak or breathe (so moved was he).

Jeff Ostrowski · December 24, 2022

PDF Download • “What Child Is This?” • Jeff’s Arrangement of This Carol … in Latin!

This morning I sat down and arranged what—in my view—is one of the beautiful Christmas carols.

Richard J. Clark · December 23, 2022

John G. Dunn • 1943-2022 • Requiescat In Pace

We mourn the passing of John G. Dunn (1943-2022) Director of Music and Headmaster Emeritus of the Boston Archdiocesan Choir School (currently known as Saint Paul’s Choir School in Harvard Square) The Choir School would not exist today without John Dunn’s vision, dedication, and talent.

Keven Smith · December 22, 2022

Five Tips for Saving Your Body During Christmas Liturgies

These easy techniques will help you eliminate tension so you can be at your best.

Follow the Discussion on Facebook

Daniel Tucker · December 21, 2022

The Christmas Sequence: Laetabundus

“He that is the Word of the Most High God deigns to take a body unto himself; he assumes our flesh.”

Jeff Ostrowski · December 20, 2022

Choirmasters • “How To Avoid Getting Fired”

Anyone who’s ever stood in front of a choir knows the choirmaster’s vocation is not an easy one.

Patrick Williams · December 19, 2022

Gregorian Rhythm Wars • “Patrick’s Third Response to Jeff” (19 Dec 2022)

“The original chant handed down from the Fathers of the Church has strict rhythmic proportions and a steady beat.” —Patrick Williams

Jeff Ostrowski · December 19, 2022

J.S. Bach “Alleluia” • Director Posts Live Recording!

Our singers really love this one…

Veronica Moreno · December 18, 2022

Young Boys Who “Play” Mass

A mother describes her son’s love for the Mass. He memorizes and recruits friends to “play Mass.” We are a people of hope.

Jeff Ostrowski · December 18, 2022

PDF Download • “Veni, Veni Emmanuel” for 2 parts

I didn’t have the heart to tell this fellow that the same melody occurs at other times of the liturgical year.

Patrick Williams · December 17, 2022

To Us the Path of Knowledge Show

“In much wisdom there is much sorrow; whoever increases knowledge increases grief.” —Ecclesiastes 1:18

Richard J. Clark · December 16, 2022

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2023

Free scores and practice videos for the Epiphany Proclamation in English and Spanish for the Novus Ordo.

Corrinne May · December 15, 2022

Mary is the Immaculate Conception … does that mean that God loves her more?

The 4th Sunday of Advent is dedicated to Mary.

Jeff Ostrowski · December 15, 2022

PDF • “Rorate Mass Musical Booklet” (39 pages)

In my humble opinion, that ‘explanation’ is sheer, unadulterated gobbledygook.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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