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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · December 4, 2023

Announcement of the Nativity of the Lord from the Roman Martyrology • Practice Video

Practice video for the Announcement of the Nativity of the Lord from the Roman Martyrology

Jeff Ostrowski · December 1, 2023

1963 Photograph • Original Lyrics for Fr. Hellriegel’s “To Jesus Christ Our Sovereign King”

Photograph from 1963, the year Monsignor Hellriegel published his 𝐻𝑜𝑙𝑦 𝐶𝑟𝑜𝑠𝑠 𝑃𝑎𝑟𝑖𝑠ℎ 𝐻𝑦𝑚𝑛𝑎𝑙.

Jeff Ostrowski · December 1, 2023

My Response to Dr. Weaver’s Latest Article

Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?

Keven Smith · November 29, 2023

Stumped by Psalms? Try This

St. Robert Bellarmine’s commentary will enlighten you and your singers.

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Jeff Ostrowski · November 29, 2023

PDF Download • “Eight Gregorian Psalm Tones” (Harmonized by Jeff Ostrowski)

Yesterday, I recorded a video demonstration of each Gregorian Chant tone.

Jeff Ostrowski · November 27, 2023

Four (4) Excellent Hymns for Catholic Funerals

With a brief digression on certain “nasty” traditionalists.

Guest Author · November 26, 2023

“An Initiation to Gregorian Chant” (Msgr. Turco)

Guest article by Father Stephen Concordia, OSB.

Dr. Charles Weaver · November 25, 2023

Accent and Gregorian Melody

The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.

Dr. Charles Weaver · November 22, 2023

Bearing Witness

We Church musicians have a high calling to bear witness to the truth with our music and our lives.

Jeff Ostrowski · November 21, 2023

Jeff Ostrowski’s Performance of Plainsong Attacked as “Inartistic”

The special Vigil of Christmas “Alleluia” sung according to the official rhythm of the Catholic Church.

Veronica Moreno · November 18, 2023

What We See Under the Big Top

For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent.

Jeff Ostrowski · November 17, 2023

Pope Saint Paul VI did not outlaw the TLM

This video shows a signatory of the famous “Agatha Christie Indult” talking about Glenn Gould (specifically his Bach interpretations).

Jeff Ostrowski · November 12, 2023

(14 Examples) • Jeff Ostrowski’s Artistic “Credo”

Including several hymns eminently suitable for the feast of Christ the King.

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Dr. Charles Weaver · November 12, 2023

A Classic Example of Modal Modulation

We can think of the modes and their traditional characters in a dynamic way, and it can help us to have a little more shape and direction in our singing.

Jeff Ostrowski · November 11, 2023

PDF Download • “Wedding March” (For The Lazy Organist)

This afternoon, it was suggested to me that I write down (“notate”) the arrangement I use.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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