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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Corpus Christi Watershed · March 19, 2013

1914 Springer “Psalmi in Notis”

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

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Corpus Christi Watershed · March 19, 2013

1856 Gevaert Method for Accompanying Plainchant

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

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Corpus Christi Watershed · March 19, 2013

1939 Little Grammar of Gregorian Chant (Gogniat)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

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Corpus Christi Watershed · March 19, 2013

1818 Antiphonale (Bourguignon)

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Corpus Christi Watershed · March 19, 2013

1963 The Accompaniment of Plainsong (Fleming)

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Corpus Christi Watershed · March 19, 2013

1874 Proprium et Commune Sanctorum (Haberl)

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Corpus Christi Watershed · March 19, 2013

1874 Mechlin Graduale

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Corpus Christi Watershed · March 19, 2013

1910 Wiltberger Brothers (Common of the Saints)

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Corpus Christi Watershed · March 19, 2013

1927 Proprium Sanctorum (Julius Bas)

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Corpus Christi Watershed · March 19, 2013

1906 Gregorian Notes and Neums

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Corpus Christi Watershed · March 19, 2013

1906 Burkard Manual of Plain Chant

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Corpus Christi Watershed · March 19, 2013

1909 Mechlin Graduale (Fragment)

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Corpus Christi Watershed · March 19, 2013

1923 Gastoué Treatise on Gregorian Accompaniment

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Corpus Christi Watershed · March 19, 2013

1964 Rayburn Gregorian Chant Rhythm

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Corpus Christi Watershed · March 19, 2013

1891 Dom Joseph Pothier Antiphonale

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Corpus Christi Watershed

President’s Corner

    A Popular “Gloria” … in Dutch?
    Close to 16 years ago, I composed a “Glory to God in the Highest” in honor of SAINT RALPH SHERWIN. It was subsequently sung all over the world, and included in various collections (under different titles). You can download the musical score in plainsong notation. It was selected for inclusion in the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary—and here’s its keyboard accompaniment (PDF file). I have a terrible memory, but somebody reminded me it was translated into Dutch (!) in 2012. I have no idea who did this—but you can download the score by clicking here. Because I don’t speak Dutch, I have no idea whether the adaptation was done skillfully.
    —Jeff Ostrowski
    Music List • (26th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 27 September 2026.

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    —Jeff Ostrowski
    “Reminder” — Month of September (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”
  • Music List • (26th Sund. Ordinary Time)
  • “Anima Christi” for 3 Voices • Truly a Masterpiece!
  • “Plainsong Pop Quiz” • What’s This Called?

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