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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew Leung · January 4, 2013

Biography • Andrew Leung

Andrew holds a degree in Sacred music from the Franciscan University of Steubenville…

Christopher Mueller · January 3, 2013

Biography • Christopher Mueller

Christopher is a church musician, conductor, and composer…

Cynthia Ostrowski · January 3, 2013

Extraordinary Form Hymnal

A brand new Latin Mass book—992 pages long—went to print on 12/24/2012.

Cynthia Ostrowski · January 2, 2013

Biography • Cynthia Ostrowski

Cynthia holds a bachelor’s degree in Geographic Information Science . . .

Fr. David Friel · January 1, 2013

Recipe for A Happy 2013

Honor Thy Father & Mother

Jeff Ostrowski · December 30, 2012

Introduction To “Views From The Choir Loft”

We are excited to announce a new Blog dedicated to Sacred Music & Liturgy!

Jeff Ostrowski · December 24, 2012

Biography • Jeffrey M. Ostrowski

Jeff holds his B.M. in Music Theory from the University of Kansas . . .

Fr. David Friel · December 24, 2012

Midnight Mass

A Timeless Tradition

Aurelio Porfiri · December 22, 2012

Aurelio Porfiri

Aurelio is renowned as a conductor, theorist, organist, author …

Dr. Peter Kwasniewski · December 22, 2012

Reason and Mystery

Let us not abandon the heart of the mind and the mind of the heart.

Fr. David Friel · December 21, 2012

What Jesus Looked Like

An Idea

Dr. Lucas Tappan · December 21, 2012

Biography • Dr. Lucas Tappan

Lucas founded the Most Pure Heart of Mary Schola in 2011…

Cynthia Ostrowski · December 20, 2012

Latin Mass In The Pantheon (Rome)

Many people might not realize the Pantheon has been a Catholic Church for centuries.

Fr. David Friel · December 18, 2012

The Antidote to Violence

Welcoming the Child

Fr. David Friel · December 14, 2012

Advent vs. the Saints

Can We Have a Truce?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

Recent Posts

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  • PDF Download • “Offertory” for this Sunday
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  • Why A “Fugue” Here?

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