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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Peter Kwasniewski · June 27, 2013

The Spirit of Solesmes

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy.

Jeff Ostrowski · June 26, 2013

Video Demonstration Of Polyphony

I hope you enjoy this SATB version of the St. Edmund Arrowsmith Mass, a simple musical setting for “MR3” (Roman Missal, 3rd Edition).

Corpus Christi Watershed · June 26, 2013

Did you know Lasso suffered from depression?

Lassus (†1594) was a celebrity musician in his day, and at least 2,000 of his masses, canticles, motets and hymns have survived. He was also bipolar, then called “melancholia hypochondriaca.”

Jeff Ostrowski · June 26, 2013

Gregorian Missal With The New Translation!

Can anyone help me understand this sentence in the Foreword?

Cynthia Ostrowski · June 25, 2013

Catholic Line Art, Black and White • Installment #22

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · June 24, 2013

The Gather Hymnal

Excuse me, but . . . Say what? “If Christ entered the room, we’d be on our feet in an instant. We would not kneel.”

Jeff Ostrowski · June 23, 2013

Two (2) Errors In Printed Chabanel Book

There have been several errors found in the Chabanel Psalms Vocalist Book.

Fr. David Friel · June 23, 2013

Colloquium 2013

Another Year of Blessings

Veronica Brandt · June 22, 2013

Ut Queant Laxis time soon!

The hymn that gave us “Do Re, Mi” and how to type it. PDF score included.

Richard J. Clark · June 21, 2013

St. Paul’s Choir School, Harvard Square | A Unique Catholic Education

The St. Paul Choir School is now looking for talented third grade boys to apply and audition for entry in September of 2013. Director, John Robinson states,“The daily round of sung liturgy provides the perfect training ground for young singers.”

Jeff Ostrowski · June 20, 2013

Letter To Hans Küng . . . in 1963!

“Where on earth do you come up with the notion of omitting the Gradual? You talk about the necessity of going back to the very oldest of the Church’s traditions.” — Msgr. Francis P. Schmitt

Corpus Christi Watershed · June 19, 2013

Gather Hymnal Vs. Gregorian Chant

A picture is worth a thousand words . . .

Jeff Ostrowski · June 19, 2013

What Happened To Chapel Veils At Mass?

“While it is not obligatory for women to wear mantillas, I personally think they’re a beautiful and elegant way to show reverence for Christ.” — Matt Fradd

Andrew R. Motyka · June 19, 2013

Children and Organ Failure

It’s not really a bleak post, I promise.

Jeff Ostrowski · June 18, 2013

(Live Interview) Cardinal Burke on the New Translation

“We had in the Church when I was growing up . . . there was a kind of special language we used in Church, and I was sorry to see it go . . . There wasn’t anything wrong with that. It was a language we used in talking to God.” — Raymond Leo Cardinal Burke

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

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  • Exclusive Interview • “Púeri Cantóres” President

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