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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · January 21, 2024

A Message From Mr. Roderick Royce!

Mr. Royce has taught orchestra for thirteen years.

Jeff Ostrowski · January 17, 2024

PDF Download • “Credo III + Polyphonic Extension”

When I just couldn’t take it anymore, I called up a friend on the telephone and paid him $150 to teach me.

Jeff Ostrowski · January 16, 2024

Which Hymns Are Appropriate After Christmas?

How many Catholics realize how closely the feast of the Epiphany is tied to the Holy Eucharist and Calvary?

Guest Author · January 13, 2024

Guest Article by Dr. Kurt Poterack

Christendom College offers scholarships and free organ lessons for students starting in the Fall of 2024.

Jeff Ostrowski · January 12, 2024

“O Magnum Mysterium” • Do You Sing This?

The Consilium of Pope Paul VI asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?”

Corpus Christi Watershed · January 10, 2024

Released • Jeff Ostrowski’s Seminar: “Secrets of the Conscientious Choirmaster” (9+ hours)

Mr. Ostrowski created this seminar based on lectures, masterclasses, and tutorials he’s presented at the Sacred Music Symposium over the last decade.

Jeff Ostrowski · January 8, 2024

PDF Download • Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment) — 102 pages

A major announcement on 8 January 2024!

Jeff Ostrowski · January 6, 2024

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

She claimed she’d rather die than sing “womb” at Mass, since she considered it to be a medical term.

Christopher Mueller · January 4, 2024

Mueller’s Artistic Credo • “Same But Different”

“Variety within a single Mass is important for engaging the listening ears (and singing voices) of the congregation.” —Chris Mueller

Jeff Ostrowski · January 3, 2024

“Jesu Redemptor Omnium” • Translated into English

“Thou light, thou radiance of the Father, thou undying hope of all, pay heed to the prayers that thy servants pour forth throughout the earth…”

Mark Haas · January 2, 2024

Encourage the Clergy to Sing

Those in the pews are like sheep listening for the voice of the Good Shepherd. Guest article by Mark Haas.

Corpus Christi Watershed · January 1, 2024

Pipeline to Heaven

The new chapel of Saint John Vianney College Seminary (SJV) is scaling new heights in beauty since its recent pipe organ installation.

Jeff Ostrowski · December 30, 2023

Christmas • “Approached By A Famous Musicologist”

If you’re somebody who likes grandiloquence, you’ll prefer the description by Dr. Ellis.

Andrea Leal · December 29, 2023

Musical Resources • “The Season of Septuagesima”

My three (3) musical lineups include music by Henryk Botor, Kevin Allen, and Father Victoria.

Jeff Ostrowski · December 26, 2023

Jeff Ostrowski Attempts To Sing “Corde Natus”

“There were only two classes of men who heard the cry that night…” Fulton J. Sheen

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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