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Views from the Choir Loft

Articles

Veronica Brandt · April 12, 2014

Working on a Compline booklet

A booklet for Compline, 95% finished, ready for Holy Week.

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Richard J. Clark · April 11, 2014

Mass of the Angels | Congregational Mass Setting in English

“My opinion is that this is one of the best congregational settings of the new texts.” — Adam Wood

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Dr. Peter Kwasniewski · April 10, 2014

Music Beautiful by Nature

The “beautiful” is largely distinguished by the degree to which the beautiful “thing” is in accord with nature.

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Andrew R. Motyka · April 9, 2014

Singing A Capella During the Easter Triduum

Following the tradition of singing a capella during the Easter Triduum, can lend it a solemnity that “punctuates the entire season.”

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Cynthia Ostrowski · April 8, 2014

Catholic Line Art, Black and White • Installment #52

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Gwyneth Holston · April 8, 2014

Summer Programs at the Thomas More College of Liberal Arts

Great opportunities for formation in drawing, painting, writing, reading, and leading

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Gwyneth Holston · April 7, 2014

“Crucifixion” by Pierre-Paul Prud’hon

A striking image that should be more well-known.

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Jeff Ostrowski · April 7, 2014

Preconciliar Missal Allowed Mass “Versus Populum”

These same exact rubrics have been found in Missals published in 1962, 1927, 1943, 1906, and 1886.

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Guest Author · April 6, 2014

Homily: 5th Sunday of Lent (Year A)

“St. Paul quite bluntly says that if your life is in the flesh, then your life in the spirit is dead.”

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Fr. David Friel · April 6, 2014

Lazarus, Come Out!

Slavery to Sin & Freedom in Christ

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Jeff Ostrowski · April 6, 2014

Are Hymns Boring?

I love hymns … sung properly, that is!

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Richard J. Clark · April 4, 2014

A priest who sings both energizes the liturgy and fosters interior prayer.

Once the mass began, the children began singing the Gregorian Introit, and fifteen thousand young people immediately stilled to complete silence.

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Dr. Peter Kwasniewski · April 3, 2014

Why We Need the Greatest Art in Catholic Worship

Was it necessary to change our forms of worship to suit “modern man”? And do we need to set aside our glorious musical heritage? Absolutely not.

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Jeff Ostrowski · April 1, 2014

Courses In The Ward Method … This Summer!

This summer, the Catholic University of America is offering training in the Ward method.

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Gwyneth Holston · March 31, 2014

What is Catholic Art?

Help me define the indefinable.

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Corpus Christi Watershed

President’s Corner

    “Singers’ Booklet” (15 Nov.)—26 pages

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

Recent Posts

  • “Singers’ Booklet” (15 Nov.)—26 pages
  • “Five (5) Clarifications” • Fr. Campesato’s Article
  • Seven (7) ‘Ad Libitum’ Antiphons • “Gateway to the Gregorian Propers”
  • “Reprehensible Rhymes” • (1955 Hymnal)
  • Brief Thoughts on a Dissertation-Length Article on Gregorian Chant

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