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Views from the Choir Loft

“Crucifixion” by Pierre-Paul Prud’hon

Gwyneth Holston · April 7, 2014

OMETIMES AN ARTIST is more eloquent when he is silent. Prud’hon’s Crucifixion is powerful because he has hushed all areas of the canvas except for Christ’s languishing body. I find it interesting that there is almost no blood in this painting. Instead, it appears that it is Christ’s resurrected body, in all its perfection that hangs upon the cross. Perhaps this is a vision of Calvary in the eyes of God rather than in the eyes of man.

And the earth was void and empty, and darkness was upon the face of the deep… And God said: Be light made. And light was made. Genesis 1:2-3

Click on the image to view it larger.


GWYN_Crucifixion “Crucifixion” by Pierre-Paul Prud’hon, 1822. Oil on canvas.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Artwork, Traditional Catholic Paintings Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Quick Thoughts

    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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