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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · January 7, 2014

Which Translations Do You Prefer? Literal Or Poetic?

I never thought I’d say this … but I agree with Paul Inwood.

Gwyneth Holston · January 6, 2014

St. Eulalia by John William Waterhouse

A daring painting for a daring saint.

Jeff Ostrowski · January 6, 2014

How Artwork Should Be Integrated In Liturgical Books For The Laity

Practically speaking, how might a Catholic be edified by artwork?

Jeff Ostrowski · January 5, 2014

Initial Response To Pope Francis’ Recent Actions Regarding Monsignori

What? You never heard of the “horse barn” mentality?

Fr. David Friel · January 5, 2014

Ministry vs. Edification

Do the People “Minister” to their Priests?

Veronica Brandt · January 4, 2014

Interleaving Latin and English on the page

Most books place Latin and English in parallel columns or on facing pages. Let’s look at the less common approach of interverse translations.

Richard J. Clark · January 3, 2014

Living with Uncertainty

But blessings come and go. Crosses are plentiful. Uncertainty makes life scary. But, no matter who you are, rich or poor, lowly sinner or saint, these words are prayed (hopefully sung) in the funeral mass: “In Paradisum…”

Jeff Ostrowski · January 2, 2014

When Is The Sequence Sung? Before The Alleluia?

In 2000, there was an effort made at restoring the Sequence to its proper place.

Dr. Peter Kwasniewski · January 2, 2014

‘Medieval’ Liturgy and ‘Scholastic’ Theology

The prejudice against the ancient (or, in many respects, medieval) Roman Rite is quite similar to the long-fashionable prejudice against scholastic philosophy.

Fr. David Friel · January 1, 2014

Fruitful Virginity

Flaming, Yet Unconsumed

Andrew R. Motyka · January 1, 2014

What Hill are You Willing to Die on?

Deciding which principles are deal-breakers.

Jeff Ostrowski · December 31, 2013

Aren’t Altar Missals Required To Print The Latin Alongside The English?

Are we “the most highly educated laity in the history of the church” capable of making our moral decisions without substantive Church guidance … or are we idiots who can’t figure out what “dew” is?

Gwyneth Holston · December 30, 2013

Tips for Parents in Guiding Artistic Teenagers

Suggestion #6: After high school, don’t send your child to an art college.

Fr. David Friel · December 29, 2013

Singing as a Work of Mercy

The Doylestown Comfort Choir

Jeff Ostrowski · December 29, 2013

Bugnini Wanted To Eliminate Ash Wednesday!

They failed to realize that one cannot simply “sit down over tea and crumpets” and VOTE INTO BEING the Church calendar. It’s supposed to develop organically.

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed—with no good reason—Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”

— ‘Fr. Bouyer, Consilium member appointed by Pope Paul VI’

Recent Posts

  • Latin Liturgy Association
  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

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