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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Guest Author · May 19, 2014

Homily: 5th Sunday of Easter (Year A)

The Church in its missionary efforts has always looked out also for the temporal well being of individuals.

Jeff Ostrowski · May 19, 2014

PDF Download: Extremely Rare Book Of Propers (1962)

A book which Bugnini called the “precursor” to the Simple Gradual is now online!

Guest Author · May 19, 2014

An Overview of the Music Program at Our Lady of the Atonement Church & Academy (Part 1)

On Fridays, Mass is celebrated in Latin according to the Ordinary Form. Each day, one of the school choirs leads the liturgical singing.

Fr. David Friel · May 18, 2014

Collected Works of Joseph Ratzinger

Beginning with Liturgy

Veronica Brandt · May 17, 2014

Gregorian Chant in Star Wars

Dies Irae, Day of Wrath, a 13th century hymn that just won’t die.

Richard J. Clark · May 16, 2014

United in the Eucharist — Conservative, Liberal, or Universal?

These questions are nonsense of course and we are beyond all of this.

Jeff Ostrowski · May 15, 2014

Would you know my name if I saw you in heaven?

Musicians tend to fight with one another over the DUMBEST things.

Dr. Peter Kwasniewski · May 15, 2014

Dogma as the Servant of Mystery

Dogmatic statements liberate the Christian intellect by establishing it in the truth.

Jeff Ostrowski · May 15, 2014

How To Sing The Gregorian Alleluia

The Alleluia can be confusing, especially during Eastertide.

Jeff Ostrowski · May 14, 2014

Truly Marvelous Image of Saint Isaac Jogues

This lovely image is courtesy of D.F. — taken at Georgetown University.

Andrew R. Motyka · May 14, 2014

Propers and “the Menu Approach”

You have Publisher X’s resources in the pews, so isn’t it easier to plan the liturgy using their resources?

Aurelio Porfiri · May 13, 2014

The Importance of Words

“Indeed the real topic is not if liturgical music is important, but for what liturgical music is important.” — Aurelio Porfiri

Guest Author · May 12, 2014

Homily: 4th Sunday of Easter (Year A)

A homily by Fr. Valentine Young, OFM.

Corpus Christi Watershed · May 12, 2014

When will there be a new Lectionary for Catholics in the United States?

“The sooner we get started, the sooner some of you will live to see it.” — Donald Cardinal Wuerl, talking in 2012 about the forthcoming Lectionary revisions.

Fr. David Friel · May 11, 2014

Does a Liberal Arts Education Have Any Value?

Without the visual arts, music, theater, architecture, and the like, future generations will have no sense of culture.

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.