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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Brandt · August 30, 2014

Learning Latin in the new millennium

Two approaches to learning a little Latin language for praying with understanding.

Jeff Ostrowski · August 28, 2014

Why I No Longer Compose

When I observe our beautiful children, I realize that God is the True Artist.

Jeff Ostrowski · August 28, 2014

Choirs & Singers With Spread Vowels — Best Example Ever!

When teaching your choir to hear the difference between “spread” vowels & proper choral vowels, use this example.

Dr. Peter Kwasniewski · August 28, 2014

The Awesomeness of the Holy Sacrifice of the Mass

A Benedictine monk helps us appreciate the tremendous miracle of the Mass, which is the central point of all earthly reality.

Jeff Ostrowski · August 27, 2014

Dan Schutte’s “Missa My Little Pony” (2nd Part)

My original article was shared 4,000 times and generated a surprising amount of hate mail.

Andrew R. Motyka · August 27, 2014

Weddings: Some Practical Advice – The Very Beginning, Part 1

Some thoughts on the Introductory Rites for the Nuptial Mass.

Aurelio Porfiri · August 26, 2014

Tu Es Petrus

A common mistake I find in Catholic literature is the belief that if you defend Pope Francis it means you are against Pope emeritus Benedict XVI, and vice versa.

Jeff Ostrowski · August 25, 2014

NBC “Meet The Press” & Catholic Church Music

At the program’s conclusion, I felt dumber than when I’d started watching.

Jeff Ostrowski · August 25, 2014

Pope John Paul II Wearing The Cappa Magna (As Cardinal Wojtyla)

The most marvelous uniform I’ve seen was the one worn by Prince Charles when he married Diana.

Jeff Ostrowski · August 24, 2014

Photo: Church Music Association of America (1964)

This historic photograph was taken at the organizational meeting for the CMAA the same year “Inter Oecumenici” was issued by the Vatican.

Veronica Brandt · August 23, 2014

Let’s bury the term “highbrow”

Wherein Veronica rails against the public perception of traditional Church music and hopes to break down barriers to unleash the joy planted by musicians of earlier ages.

Richard J. Clark · August 22, 2014

The Art of Negotiation in Liturgy

Progress is never made by making declarations or quoting the Liturgy Documents. It doesn’t work and never will. So what will?

Jeff Ostrowski · August 21, 2014

How To Debunk Four Common Liturgical Myths

The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English.

Dr. Peter Kwasniewski · August 21, 2014

Why the Mass is the Key to the New Evangelization

We hear a lot these days about the New Evangelization, but not so much about the Holy Sacrifice of the Mass. And yet the Mass is at the very heart of our mission.

Andrew R. Motyka · August 20, 2014

Weddings: Some Practical Advice – Introduction

A curmudgeonly introduction to a series on wedding advice.

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)
  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent

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