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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

A Good Reading

Aurelio Porfiri · September 9, 2014

HAVE OFTEN MENTIONED the name of Divo Barsotti. Divo Barsotti—who died at the age of 92 on February 15, 2006, at his hermitage of Saint Sergius in Settignano, north of Florence—was a priest, a theologian, the founder of the Community of the Children of God, and an extraordinary mystic and spiritual master.

When I discovered his works, in 2005, he was already very old and sick. So I came to know him indirectly through contact with Fr. Serafino Tognetti, the successor of Divo Barsotti as superior of the “Comunita’ dei Figli di Dio,” the congregation Fr. Barsotti had created. From that first contact, I started to study the books of Father Barsotti, reading book after book (he was a hugely prolific writer) and discovering the deepness of this man, a man that was also struggling with the Church at his time, as it has happened for many holy men. As I have mentioned, he was a Christian of extraordinary deepness, presenting a sort of new understanding of our relationship with God.

His works were not progressive, but always respectful and devoted to religious superiors and Catholic hierarchy. But still, having a very strong personality and the gift of parrhesia (the art of speaking clearly and without hypocrisy), sometimes he may have attracted some problems, that he always accepted as a message that God was sending him.

I HAVE RECENTLY FINISHED READING the biography written by Fr. Tognetti, published in Italy by Edizioni San Paolo with the name “Divo Barsotti. Il sacerdote, il mistico, il padre.” It is also available in English from Saint Paul Publications, with the title: “Divo Barsotti. Priest, Mystic, Father.” I am very happy that a work like this is now available for the English speaking world. Divo Barsotti was a lover of the Mass, of Gregorian chant, of Catholic tradition. I was able to see a video on YouTube of Father Barsotti saying the Mass, in which he interrupts himself many times, because of tears streaming incessantly when he was pronouncing the words of the consecration. He was a man immersed in God and his books about liturgy give us an idea of the deepness of what the Mass is and should be and the consciousness of Catholics.

The thoughts of Fr. Barsotti are not devotional or pious, but essential. He is a sort of artist of the word, trying to look for the naked idea more than constructing very pious statements with the help of a well-researched rhetoric. I cannot deny that his ideas have a deep influence on my own personal reflection. This is why I dedicated two books to him drawing on topics that use his teachings.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Divo Barsotti Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

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