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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Fr. David Friel · January 24, 2016

Motet for Three Voices: “O Crux Ave”

This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.

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Veronica Brandt · January 23, 2016

Angelus Bells and the Raspberry Pi

Setting a computer up to do something useful, bringing together a credit card sized computer and some midi samples.

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Richard J. Clark · January 22, 2016

Lent is near.

Looming over church musicians is a quick transition of liturgical seasons. Here are just a few liturgical works for Lent and Easter.

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Andrew Leung · January 21, 2016

Free Downloads • Works by Cardinal Bartolucci (Part 1)

Choral works by Cardinal Bartolucci, former director of the Sistine Chapel Choir, is available for download now!

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Dr. Lucas Tappan · January 20, 2016

Most Pure Heart Schola Cantorum … in Rome!

The greatest gift was to be in Rome during the Holy Year of Mercy!

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Jeff Ostrowski · January 19, 2016

| Part 3 of 3 | • “Kyrie Eleison” (SATB) within the reach of any choir!

Only one word describes Guerrero’s musical genius: fearsome.

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Dr. Alfred Calabrese · January 18, 2016

May 2016 • Major Choral Event In Dallas!

A tremendously exciting moment in the Catholic musical world!

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Jeff Ostrowski · January 17, 2016

Musical Resources • 2nd Sunday after Epiphany (Extraordinary Form)

“Sanctify, O Lord, the gifts we offer, and purify us from the stains of our sins…”

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Fr. David Friel · January 17, 2016

Sacra Liturgia UK — Registration Now Open

An International Conference on Liturgical Formation in Light of the New Evangelization

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Jeff Ostrowski · January 17, 2016

The Pope Who Had … A Child?

Then the Pope declared that it was the motet’s words—not its melody—which annoyed him.

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Veronica Brandt · January 16, 2016

Why remember gruesome things

The Roman Martyrology is a book of brief eulogies arranged for daily reading. Also great for expectant parents choosing names.

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Richard J. Clark · January 15, 2016

The American Boychoir Redefines the Choral Experience

Please pray for all who educate our children through music!

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Jeff Ostrowski · January 14, 2016

Staggering Canonic Setting • “Gloria” from Mass III

By the French Roman Catholic composer, Raphaël Mercier (d. 1953).

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Andrew Leung · January 13, 2016

Fun Video • Classical Music Mashup

This is what happen when you play multiple classical pieces together.

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Corpus Christi Watershed · January 12, 2016

“Savior of EWTN” According To Raymond Arroyo

“Karol Cardinal Wojtyla asked me hundreds of questions. We became friends. I have a cherished place for him in my heart.” —Bishop Gracida

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Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)

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