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Views from the Choir Loft

Something Unexpected

Aurelio Porfiri · October 5, 2015

236 Aurelio Porfiri OMETHING UNEXPECTED happened recently, which made me think a lot. I was walking the streets of Macau, contemplating my imminent return to Rome. 1 During my walk, I happened upon two of my students. When I met them, they were taken by surprise—but I failed to understand the reason. One of them explained me: when I hailed them on the street, they were singing one of my liturgical songs, Angele Dei qui custos es mei (for solo, female choir and organ). I was, of course, surprised and pleased by this—realizing that many Chinese students are not Christians, but that my music can break barriers and appeal also to those that were not raised in a Christian tradition.

I deeply love my students and I always think that, despite the huge limitations of the city where they have to grow up, they are bright and brilliant if given a chance to develop their talents freely. I consider yesterday’s meeting a sign of God. I really want to think that their guardian angels are tapping on their shoulders, hoping to be noticed by them amidst the noises of a city totally immersed in a gambling atmosphere. If my music can help the guardian angels, should I not be happy for this?

Indeed—as I have always mentioned—music is not and cannot be neutral. Music has a power of influence that can awaken specific cultural and social memories in a way that can lead or mislead to the desired outcomes. This is why not all music is good for the liturgy: because not all music serve the purposes of the liturgy.

I was looking at a YouTube interview with Stephen Colbert. I must tell you that I like him, and take comedians very seriously. Now, he was being interviewed by a Jesuit priest, the editor of the magazine AMERICA. This priest asked Colbert about his favorite church hymns and Colbert started listing some of the 60s favorites, even beginning to dance to one of the tunes. That is exactly the problem: most of these songs are just relying on light catchy melodies strongly relying on rhythmic elements to save the day, but with no or little substance outside rhythm. Of course rhythm is important; but when isolated from a more general musical context, starts to become a worshiper of Dyonisus, and forget that it belongs also to Apollo.

I think that my students teach me an important lesson: God works in mysterious ways…mmm…did I hear this phrase somewhere else?



NOTES FROM THIS ARTICLE:

1   I will reside there after seven years spent working here in China, composing hundreds of new pieces—most of them now published around the world, for which I am so grateful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Quick Thoughts

    PDF • “For General Use Until Advent”
    If you conduct a volunteer choir, you might consider using this Simple Piece #40273 (“Adésto Sáncta Trínitas”) which can be used during the rest of the liturgical season until Advent. It's based on the well known hymn tune: OLD HUNDREDTH. Rehearsal videos are available at #40691. A live recording of #40273 (“Adésto Sáncta Trínitas”) by a volunteer choir is here (#40065).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

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