Views from the Choir Loft

Articles

Andrew Leung · August 18, 2015

Summer Sacred Music Workshop — Report

Report on the Summer Sacred Music Workshop in Jasper, GA.

Jeff Ostrowski · August 17, 2015

PDF Download • “Mount Mary Hymnal” (1937)

All 255 pages of this famous hymn book can now be downloaded as a PDF.

Fr. David Friel · August 16, 2015

Vesting Prayers • Part 7 of 9

The Stole

Richard J. Clark · August 14, 2015

Entering the Mainstream Conversation

Will Cardinal Sarah’s recent letter make it into the mainstream conversation?

Andrew Leung · August 13, 2015

Thoughts on the “Hymn” for the Year of Mercy?

The Vatican has just introduced the official hymn of the Holy Year Of Mercy. Any thoughts?

Jeff Ostrowski · August 13, 2015

Musical Resources • 12th Sunday after Pentecost (Extraordinary Form)

The “Testament of the Spirit” is the new and permanent covenant established by Jesus Christ between God and men.

Jeff Ostrowski · August 12, 2015

Cardinal Sarah’s Powerful Letter Available In English!

“Adoremus Bulletin” has uploaded a translation of the CDW Prefect’s document.

Andrew Leung · August 12, 2015

John Scott (1956-2015)

Today, the world lost one of the greatest living church musicians, Dr. John Scott.

Jeff Ostrowski · August 11, 2015

Evelyn Waugh Requiem Panegyric Preached At Westminster By Fr. Caraman (21 April 1966)

“Evelyn was sad when he read of churches in which the old altar was taken down…”

Jeff Ostrowski · August 11, 2015

Remarkable! • Amiens Cathedral During World War

There’s something scary about this image!

Jeff Ostrowski · August 10, 2015

Carlo Rossini: “Exaltate Deum Hymnal” (1941)

115 Offertories, Motets, and Hymns for SATB choirs.

Fr. David Friel · August 9, 2015

Vesting Prayers • Part 6 of 9

The Maniple

Jeff Ostrowski · August 9, 2015

Do You Like This German Hymn Tune?

Hymns in 3/4 can present problems, but this one really isn’t…

Veronica Brandt · August 8, 2015

Three part motet for the Assumption by Ravanello

A little counterpoint gem with ramblings on solfege.

Jeff Ostrowski · August 7, 2015

Propers for the Assumption (15 August)

Videos, Scores, & Mp3 Files

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed