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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Alfred Calabrese · December 17, 2015

An Antidote For Clericalism: Sung Vespers

The public singing of Vespers is an antidote to the kind of clericalism frequently condemned by Pope Francis.

Jeff Ostrowski · December 16, 2015

“Veni Veni Emmanuel” • Original Setting (Two Voices)

This famous Advent hymn was not written in the 1800s—it goes back at least to the 15th century.

Jeff Ostrowski · December 14, 2015

Why Don’t Serious Catholics Address This?

If you want to test the USCCB policy, try this experiment.

Guest Author · December 14, 2015

Benedict XVI Institute Seeks Executive Director

Are you an entrepreneur?

Fr. David Friel · December 13, 2015

Lighting Up Façades

Catholic churches ought not to be treated as houses of entertainment, but as houses of prayer.

Richard J. Clark · December 11, 2015

Orient toward prayer. Orient toward gratitude.

We may not convince anyone that certain music is more worthy than another. But we can all understand that sacred music must orient itself towards reverence and prayer.

Andrew Leung · December 10, 2015

Understanding the Sacred

Reflection on “Understanding the Sacred” based on two events happened in Vatican this week

Andrew Leung · December 10, 2015

Videos • Popes open the Holy Door

Two old videos of the Opening of the Holy Door

Jeff Ostrowski · December 10, 2015

Rehearsal Videos • Victoria’s “Ave Maria” (SATB)

Including six reasons why Tomás Luis de Victoria may be the true composer of this piece.

Jeff Ostrowski · December 7, 2015

Rehearsal Videos • “O Magnum Mysterium” (Victoria)

With a masterpiece like this, we must be careful not to rush in where angels fear to tread.

Jeff Ostrowski · December 7, 2015

Propers for Our Lady of Guadalupe (12 December)

Providing music for the Traditional Latin Mass is not nearly as hard as some believe.

Fr. David Friel · December 6, 2015

Not One of Aesop’s Fables

Of Tetrarchs, High Priests, and the Polar Express

Veronica Brandt · December 5, 2015

Have you heard of St Clelia?

A young foundress who continues to sing with her congregations around the world and how this underlines the power of the liturgy.

Corpus Christi Watershed · December 5, 2015

Saint Nicholas — “Identity Theft”

Since we are getting closer to Christmas …

Jeff Ostrowski · December 5, 2015

Musical Resources • Second Sunday of Advent (Extraordinary Form)

“Gather ye together His Saints to Him; who have set His covenant before sacrifices…”

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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