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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 26, 2016

Victoria Alleluia • Extraordinary & Ordinary Form

If your priest requires the congregation sing the “Alleluia,” there’s a nice way to do this.

Fr. David Friel · July 24, 2016

Priestly Musical Formation in a Low Mass Culture

Reflections from Dr. Jennifer Donelson at Sacra Liturgia UK

Jeff Ostrowski · July 24, 2016

Musical Resources • 10th Sunday after Pentecost

“O God, Who dost chiefly manifest Thy power in forbearance and mercy…”

Andrew Leung · July 23, 2016

Saints and the “Ad Orientem” Worship

What did the saints say about celebrating the Holy Sacrifice of the Mass facing East?

Andrew Leung · July 21, 2016

Summer Sacred Music Workshop • This Weekend!

The Summer Sacred Music Workshop 2016 is finally here!

Jeff Ostrowski · July 20, 2016

PDF Download • St. Cecilia Hymnal (1937)

Like all the books we release, this extremely rare hymnal was previously unavailable until we scanned and uploaded it.

Dr. Lucas Tappan · July 19, 2016

Ad Orientem and Sacred Music

Father told me that he felt extremely awkward standing in the sanctuary for two minutes while the congregation did nothing but look at him.

Andrew Leung · July 18, 2016

“I Desire Mercy, Not Sacrifice”

How can we renew the liturgy with charity? We shouldn’t seek to win arguments on the liturgy.

Jeff Ostrowski · July 17, 2016

Showdown in Arkansas over “Ad Orientem”

The Bishop of Little Rock has sent a letter (14 July 2016) forbidding his priests to celebrate Mass “ad orientem.”

Fr. David Friel · July 17, 2016

Are the Readings at Mass Meant to Be Didactic or Doxological?

Reflections from the Fota IX International Liturgy Conference

Jeff Ostrowski · July 16, 2016

Musical Resources • 9th Sunday after Pentecost

“…and that Thou mayest grant their desires to them, make them ask only for things that please Thee…”

Richard J. Clark · July 15, 2016

The Illusion of Privacy • Social Media Etiquette for Liturgical Musicians

A very wise and compassionate Jesuit priest kindly exhorted me to avoid writing such missives. I quickly heeded his advice. So should you. Here’s why:

Richard J. Clark · July 15, 2016

Letter from USCCB Committee on Divine Worship on “Ad Orientem”

Most Rev’d Serratelli says the current rubrics “reflect the real possibility that the celebrant might be facing away from the assembly.”

Corpus Christi Watershed · July 15, 2016

Photograph • Robert Cardinal Sarah “Ad Orientem”

“Dear Fathers, we should listen to the lament of God proclaimed by the prophet Jeremiah: «They have turned their back to me» (2:27). Let us turn again towards the Lord!”

Andrew Leung · July 14, 2016

Three False Ideas about “Ad Orientem” Celebration

Three common misconceptions about the Mass and “ad orientem” worship.

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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