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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · May 1, 2016

Musical Resources • St. Joseph the Worker (1 May)

“Grant, O Lord, that what we have received may—by the intercession of blessed Joseph—crown our work and confirm our reward…”

Fr. David Friel · May 1, 2016

Regina Chesterton Academy

A Classical Education Track for Catholic High School Students

Veronica Brandt · April 30, 2016

How to train your dragon and the Easter Vigil Alleluia

Hearing a movie theme in the Alleluia verse from the Easter Vigil. Gregorian chant has all the good tunes.

Richard J. Clark · April 29, 2016

Children’s Choir in a Typical Suburban Parish? Endless Possibilities!

Children who sing today will be the foundation of our Church in the future.

Andrew Leung · April 28, 2016

Musical Works of Mercy

How can we help others spiritually through music?

Jeff Ostrowski · April 27, 2016

Propers for St. Joseph the Worker

This Sunday falls on May 1st, so the EF feast is “St. Joseph the Workman.”

Dr. Lucas Tappan · April 26, 2016

The Devil Gets in the Details

Just remember to laugh, thank the Good Lord and keep your coffee off of the piano!

Jeff Ostrowski · April 25, 2016

Rehearsal videos • “Veni Creator Spiritus” (Fauxbourdon)

Modern ears don’t always enjoy the sound of extremely ancient music—do you?

Jeff Ostrowski · April 24, 2016

Musical Resources • Fourth Sunday after Easter (Extraordinary Form)

“…grant Thy peoples that they may love what Thou commandest and desire what Thou dost promise…”

Jeff Ostrowski · April 24, 2016

Our Lady’s Royal Ancestry • Gregorian Chant

“Richer than I you can never be—I had a Mother who read to me.”

Fr. David Friel · April 24, 2016

Instruction on Sacred Music by Bishop John Doerfler

Introducing a Five-Year Plan for the Future of Sacred Music in the Diocese of Marquette

Andrew Leung · April 23, 2016

Who Says Young People Can’t Sing Traditional Sacred Music?

2 groups of high schoolers, over 200 young people, proved that they can sing and pray with traditional church music.

Jeff Ostrowski · April 23, 2016

Dazzling Canon • “Adoremus in Aeternum”

John Paul II: “For compositions of liturgical music, I make my own the general rule of St. Pius X…”

Jeff Ostrowski · April 22, 2016

Shocking Parallels By Guerrero

I’ve seen similar passages by Orlando Lassus.

Richard J. Clark · April 22, 2016

Musician • Center of Attention or Servant?

Applause from a congregation for musicians, or musicians that impede congregational singing for the sake of personal artistry, are but symptoms. The church musician has been misidentified as a separate entity—a showpiece—and not properly identified as a servant of the liturgy, a servant of God, a servant of the people.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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