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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · April 8, 2016

I Claim You for Christ

“One of the most emotional experiences of my life was during the baptism of my second child. The words hit me like a ton of bricks…time froze, and I was bowled over in my heart…”

Andrew Leung · April 7, 2016

Free Downloads • Works by Cardinal Bartolucci (Part 2)

More choral works by Cardinal Bartolucci are available on the Domenico Bartolucci Foundation website.

Jeff Ostrowski · April 7, 2016

“Et Cum Spiritu Tuo” in the 1961 Fulton Sheen Missal

What Fr. Philip Caraman does may surprise you…

Guest Author · April 6, 2016

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Praising our Extraordinary God in the Ordinary Form

Jeff Ostrowski · April 6, 2016

“I confess that I was a liturgical nut” says Bishop consecrated by Pope Paul VI

“The liturgy is not only worship of God; it is the way we are formed in our faith.” —Bishop Gracida

Jeff Ostrowski · April 5, 2016

Mass Propers • Fascinating Articles From 1924

Editors of “The Tablet” felt these essays were horrendous!

Dr. Lucas Tappan · April 5, 2016

A Musically Model Parish

I thought I would share some visioning ideas regarding music in the Ordinary Form parish.

Jeff Ostrowski · April 5, 2016

We Need Assistance! Please Help Watershed Survive!

My 5-part series requesting donations seems to have failed miserably—with a few notable exceptions.

Jeff Ostrowski · April 4, 2016

Ward Method Studies • Space Available!

The chant must be sung lightly, and not too slowly.

Jeff Ostrowski · April 4, 2016

“Hymn To The Blessed Virgin Mary” • Caswall & Parry

Choirs not yet ready for SATB hymn singing will love this version for two voices!

Fr. David Friel · April 3, 2016

Which Masses Would You Choose?

If you had the opportunity to add more festive music to selected feasts in the liturgical year, to which would you give preference?

Jeff Ostrowski · April 3, 2016

Musical Resources • Low Sunday (1962 Missal)

“In the day of My resurrection, saith the Lord, I will go before you into Galilee…”

Richard J. Clark · April 1, 2016

O Happy Fault • Nine things that are pure privilege

Such a reference to original sin—a positive reference—seems quite strange to us.

Andrew Leung · April 1, 2016

The Chapel Royal Solemn Vespers is Available on BBC

A recording of the Solemn Vespers at the Chapel Royal is now available on BBC’s website.

Richard J. Clark · March 31, 2016

Sequence During the Octave of Easter

Singing the sequence, “Victimae Paschali Laudes” is truly appropriate every day this week.

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • Latin Liturgy Association
  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

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