Views from the Choir Loft

Articles

Dr. Lucas Tappan · February 8, 2017

Beauty, Music and the Sacred Liturgy

Beauty will return to the Sacred Liturgy when we once again turn our hearts to the Lord.

Jeff Ostrowski · February 7, 2017

Musical Resources • Septuagesima Sunday 1

“Or, is it not lawful for me to do what I will? Is thine eye evil, because I am good?”

Fr. David Friel · February 6, 2017

The Japanese Martyrs

Extraordinary Strength of Faith

Jeff Ostrowski · February 6, 2017

Pope Benedict XVI on this Sunday’s Introit

“The virgin mother bound his limbs in swaddling clothes; such bands held the hands and feet of God!”

Fr. David Friel · February 5, 2017

God Has No Need of Our Music

A Thought from Saint Irenaeus of Lyons

Jeff Ostrowski · February 5, 2017

“The Return of the SSPX”

Reflections by a member of the Priestly Fraternity of Saint Peter.

Jeff Ostrowski · February 3, 2017

Did we meet our fundraising goal?

The answer will amaze!

Andrew Leung · February 2, 2017

Invest in your Music Program!

Financial support is necessary for building a successful parish music program.

Jeff Ostrowski · January 31, 2017

Photos • Society for Catholic Liturgy Conference

After Mass, a presentation was delivered by the Executive Director of the USCCB Committee on Divine Worship.

Jeff Ostrowski · January 30, 2017

Mind-Blowing SATB Canon

“Laudate Dominum” by William Croft (†1727) is a miracle.

Fr. David Friel · January 30, 2017

In Defense of the Organ Postlude 1

Newly-published reflections from Professor Kwasniewski.

Fr. David Friel · January 29, 2017

Conference Updates

Dunwoodie Chant Conference & Sacra Liturgia Milano

Jeff Ostrowski · January 26, 2017

PDF Download • “Sing the Angelus” (Plainchant)

Can you think of a better way to begin your choir rehearsals?

Jeff Ostrowski · January 24, 2017

Musical Resources • 4th Sunday after Epiphany

“But the men wondered, saying, What manner of man is this, for the winds and the sea obey Him?”

Dr. Lucas Tappan · January 24, 2017

Chorister Pitfalls

A misguided belief states that the quality of our liturgical music should be sacrificed on the altar of good intentions.

PDF • “3-Voice Motet” (Father De Laet)

I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.

—Jeff Ostrowski

PDF Download • “Hymn for 2 Voices”

Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.

—Jeff Ostrowski

“Holy Name Hymn” (2-Voice Arrangement)

When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

“Reminder” — Month of January (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski