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Views from the Choir Loft

World’s Easiest Organ Processional (PDF)

Jeff Ostrowski · March 27, 2017

299 Vladimir Horowitz OROWITZ USED TO SPEAK of pianists who practice a piece 100 times, then go on stage and practice it for the 101st time. A few weeks ago, I was forced to listen to a pianist “practicing” by playing a piece from start to finish—over and over. She did not carefully isolate the trouble spots, searching for solutions. She gave little thought to architecture. She did not practice “in rhythms” (as Ruth Slenczynska would say). She simply played the entire thing from start to finish, slowing down at the hard spots. I wanted to scream! The point Horowitz was trying to make is that we must understand the end result. Practice should be quite different from performance. To give an example, a section that’s already perfect should not be “practiced” over and over—because doing so will lead to a stale performance. And so forth.

This easy piece will guarantee no wrong notes:

    * *  PDF Download • EASY ORGAN PROCESSIONAL

I have a confession to make: I can’t stand hearing wrong notes (unless your name is Edwin Fischer or Alfred Cortot). I would rather hear a simple piece played perfectly than a difficult piece played poorly. 1

Half the battle when playing the organ is choosing the registration. This includes eliminating any stops that are severely out of tune. The reality is, when you have 15 seconds to become acquainted with a new organ, “the simpler the better.” If you have months and months, that’s a different story. For the record, Spe Salvi is also quite easy.

Another way to get my point across would be: Nobody cares how we practice—the only thing that matters is the performance.

Practicing with the “end result” in mind is extremely draining, yet absolutely essential to a performer. Like it or not, every church musician is a performer (although we are much more than that, as Dr. Tappan reminds us).



NOTES FROM THIS ARTICLE:

1   I especially hate when organists insist on using the pedal, even though they have to greatly reduce the hymn’s tempo to accomplish this. That drives me nuts—but unfortunately this practice is widespread. Those not skilled enough to play the hymn at the correct tempo should omit pedals until they can be added without destroying the piece.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Vespers Booklet (4th Sunday of Lent)
    The organ accompaniment booklet (24 pages) which I created for the 4th Sunday of Lent (“Lætare Sunday”) may now be downloaded, for those who desire such a thing.
    —Jeff Ostrowski
    Vespers Booklet, 3rd Sunday of Lent
    The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
    —Jeff Ostrowski
    Weeping For Joy! (We Hope!)
    Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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