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Views from the Choir Loft

Articles

Jeff Ostrowski · October 31, 2017

Brave Director Posts “Live” Recording

A word of encouragement for choirmasters…

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Jeff Ostrowski · October 30, 2017

Powerful & Thought-Provoking

“We are giving the world a chance to think about the ethics of choosing which humans get a chance at life.”

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Jeff Ostrowski · October 30, 2017

Hymn by Professor at St. Charles Borromeo Seminary

This PDF score has the Latin (on one side) and two English versions on the other.

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Fr. David Friel · October 29, 2017

All Saints and the Extraordinary Form of the Mass

The Roman Rite gives strong attention to the presence of the saints.

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Jeff Ostrowski · October 29, 2017

PDF Download • Congregational “Dies Irae”

…including two reasons I believe a liturgical reform was desired in the 1960s.

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Richard J. Clark · October 27, 2017

A Requiem on All Souls Day at St. Patrick’s Cathedral

This work is based on the Gregorian Chants of the Requiem Mass. It was directly inspired by the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah.

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Jeff Ostrowski · October 26, 2017

Josquin Des Prez Vandalized Stuff (!)

It’s hard for us to remember that the famous composers were not hired as such—they were hired as singers.

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Jeff Ostrowski · October 26, 2017

Christ The King Sunday (5th in October)

“Jesus answered: Thou sayest that I am a King. For this was I born, and for I this came I into the world…”

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Andrew Leung · October 26, 2017

Singing with Peter Philips

Peter Philips: “Polyphony shouldn’t be sung with absolute straight tone—that is not real singing!”

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Jeff Ostrowski · October 25, 2017

“Why Sacred Music Hasn’t Been Killed” [Six Reasons]

Lyrics from GIA Worship IV Hymnal: “Who is this who eats with sinners, calling luckless losers winners?”

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Fr. David Friel · October 22, 2017

The Spirit of All Souls’ Day

A thought from Dietrich von Hildebrand

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Jeff Ostrowski · October 20, 2017

January 7-12 • Mahrt, Weber, and Buchholz!

The Church Music Association of America is pleased to announce the third Winter Sacred Music Workshop for Chant and Polyphony.

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Jeff Ostrowski · October 20, 2017

[299 pages] • Simple Polyphony For Choirs

Every single piece has free rehearsal videos for your choir members!

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Jeff Ostrowski · October 19, 2017

20th Sunday after Pentecost (4th in October)

“…be ye filled with the holy Spirit, speaking to yourselves in psalms and hymns, and spiritual canticles, singing and making melody in your hearts to the Lord…”

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Jeff Ostrowski · October 19, 2017

Sensational Testimony • On Our Feastday!

“Fr. Ryan told me he’s amazed at how the liturgy has been transformed, and that never in seminary did he believe this kind of liturgy would be possible at a Montana parish.”

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings
  • Stained Glass Window • Father Brébeuf

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