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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Moreno • Article Archive

Veronica Moreno is married to a teacher and homeschools five children. While at UCLA, she earned an undergraduate degree in Ethnomusicology and then went on to study special education at Cal State LA. She has been cantor at her local Catholic parish for over a decade.—Read full biography (with photographs).

Veronica Moreno · September 12, 2025

Do You Recognize This Hymn? Do You Like It?

Congregations love this hymn … and so do I.

Veronica Moreno · May 12, 2025

Chants That Crowds Roar With Burning Hearts

Something special happens when your Pope intones a chant and everyone sings with full hearts. Neurons, neurotransmitters, and hormones work together to bind people together. This is why sacred music transforms hearts!

Veronica Moreno · May 6, 2025

We (Will) Have A Pope!

Veronica shares a children’s book about the Conclave. Let’s all chant the Veni Creator!

Veronica Moreno · March 23, 2025

PDF Download • Palestrina “Alleluia” (SATB) for the Ordinary or Extraordinary Form

Last week, a major bombshell was dropped with regard to two major publishing companies of Catholic hymnals.

Veronica Moreno · January 29, 2025

Finding the Choir in FSSP-Lyon

“For twenty years I sang in the front of a Novus Ordo parish despite wanting to sing in the back.” —Veronica Moreno

Veronica Moreno · January 20, 2025

A Full Choir in FSSP-Caen

A choir member visits the FSSP in Normandy, France and is overjoyed to hear the full choir raining down chant and polyphony throughout the Church building. She recommends Sunday Mass if you’re on pilgrimage.

Veronica Moreno · November 13, 2024

PDF Download • “Polyphonic Enhancement” for the Lord’s Prayer (Mass in English)

As the congregation sings their part, the choir “enhances” them with polyphony. This is genius!

Veronica Moreno · October 26, 2024

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

It’s been downloaded more than 4,000 times, so it seems useful.

Veronica Moreno · October 16, 2024

A Story of Success!

Veronica Moreno shares a ‘quick thought’ regarding the topic of the sacred liturgy.

Veronica Moreno · September 28, 2024

Communion Antiphon • “For Any Mass?”

Rehearsal videos are included—and they’re pretty fantastic!

Veronica Moreno · September 17, 2024

PDF Download • “Communion Antiphon” by Father Edgard de Laet — For Any Mass!

A musical setting for “An Alphabet of Right-doing” (as Monsignor Knox famously called it).

Veronica Moreno · July 20, 2024

720,000 Views … and Counting!

In last Friday’s Eucharistic Conference, Corrinne May underscored that Silence is an integral and essential part in the Holy Sacrifice of the Mass.

Veronica Moreno · July 2, 2024

We Were Where Peter Is

Our contributor and her family are greeted by Pope Francis on the Feast of Saints Peter and Paul. May their faithful prayers be heard.

Veronica Moreno · June 21, 2024

Jeff Was Our Choir Director

A choir member from Jeff’s choir reflects on singing for the long-term and expresses gratitude to the Ostrowski family.

Veronica Moreno · May 5, 2024

Time for Another RESUCITÓ, Canta Con Júbilo

Perhaps it is time to have another “Resucitó” for our Spanish-speaking Catholics…

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“After a discussion lasting several days, in which arguments for and against were discussed, the Council fathers came to the clear conclusion—wholly in agreement with the Council of Trent—that Latin must be retained as the language of cult in the Latin rite, although exceptional cases were possible and even welcome.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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