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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · March 22, 2013

A Personal Encounter with Pope Francis

While speaking to his secretary, the Holy Father came down the hall and I greeted him with the traditional kissing of his ring, and we spoke for a little over a minute.

Richard J. Clark · March 20, 2013

Free Communion Propers for the Easter Season, Year C

Free download of Communion Propers for the Easter Season, Year C

Richard J. Clark · March 17, 2013

Mourning Pope Benedict XVI and Trusting the Holy Spirit

The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

Richard J. Clark · March 15, 2013

Reflections from St. Peter’s Square

Fr. Jonathan Gaspar, Priest Secretary to His Eminence Seán Cardinal O’Malley, shares his heartfelt reflections from St. Peter’s Square on the historic day of March 13, 2013.

Richard J. Clark · March 1, 2013

From Ashes to the Living Font

Sometimes we do our best work while in exile. Today, the Chair of Peter lies empty. This Lent, we will certainly end up in a different place than where we started. Hopefully, we will be transformed individually and as a Church.

Richard J. Clark · February 22, 2013

Exodus and the Chair of Saint Peter

In his book “The Spirit of the Liturgy,” Pope Benedict reminds us that Israel’s flight from Egypt had two distinct goals. One was to reach the Promised Land. But the second is perhaps far more important: Exodus 7:16 “Let my people go, that they may serve me.”

Richard J. Clark · February 15, 2013

A Proposed Lenten Fast for Musicians

Christ’s love has gathered us into one. True, we may be united in the love of Christ—but not necessarily in other things. Our differences may be vast. This is where the bounds of love and Christian charity are truly tested.

Richard J. Clark · February 8, 2013

Mardi Gras and Burying the Alleluia

The “Alleluia” was literally buried in the cemetery, leaving the people with the hope and anticipation of its Easter Sunday resurrection.

Richard J. Clark · January 25, 2013

Full and Active Preparation – ora et labora

For the sacred musician, full and active participation not only includes mindfulness during mass . . .

Richard J. Clark · January 23, 2013

A Simple SSA Offering

A beautiful model of the evangelization we must do in our churches and faith communities

Richard J. Clark · January 17, 2013

St. Cecilia, Pray for Us

Why do we so intensely hand over our lives to the Church without fully realizing it until it is much too late?

Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

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Quick Thoughts

    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Offertory Verses and Why You Should Sing Them” (Includes PDF Download)
  • “Colorado Sacred Music Conference” August 9-10 (2023) • Highlands Ranch, CO
  • PDF Download • “Epitome Gradualis Romani” • Professionally Scanned — 1,106 pages!
  • Re: Ancient Sequence (Thursday after Pentecost)
  • PDF • “For the Season of Pentecost”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.