Views from the Choir Loft

Not a movie. This was real.

Richard J. Clark · April 15, 2013

RAY FOR BOSTON. Trying to digest the magnitude of the explosions in Boston is difficult for everyone.

This attack happened within my parish. St. Cecilia Parish in the Back Bay section of Boston, is around the block from the finish line of the Boston Marathon. Additionally, several beautiful historic churches literally surround the finish line. So where is God in all of this?

The screams captured from the Boston Globe video capture real terror and fear. Not a movie. This was real.

We await word to hear from loved ones and those in our parish community to know of their safety. Authorities have urged people to stay home. This isn’t over yet. Early reports indicate that among the dead may be a small innocent child. So, again, where is God in all of this horror?

Today a friend stated, “Forgiveness is hard today. Can’t stop crying.” Truth, love, justice, forgiveness and peace are all connected. Forgiveness is the hard road ahead for Boston and for all those who carry a heavy cross. We must pray for each other, so that like Simon we may help each other carry the cross.

So where there is charity and love, God is THERE. God can be found everywhere in Boston.

News of runners changing course, running to Massachusetts General Hospital to donate blood is where God can be found. Those opening their homes to house and comfort strangers is where God can be found. The outpouring of love, concern—living out the Gospel—is proof of God’s presence in Boston. God is THERE.

After 9/11 we all saw the healing power of love that followed the most horrific attack this country knew. People WANTED to help. Right now in Boston there is the same desire to help any way possible.

Please pray for God’s protection and guidance. Pray for the intercession of Mary our Blessed Mother who knows great suffering. Please pray for those in great need of comfort and especially for those in need of God’s mercy, love, and forgiveness at this time.

Psalm 85: 11-12:
“Love and truth will meet;
justice and peace will kiss.
Truth will spring from the earth;
justice will look down from heaven.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)