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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · August 1, 2014

The Necessity of Interior Prayer for Directors, Composers, and Publishers

Are we bringing forth treasures? Are we cultivating these treasures or do we leave them in the back of the storeroom?

Richard J. Clark · July 25, 2014

“The Celebration of the Liturgy is the most important act of evangelization.”

“Easy feelings and superficial affections do not, in the long run nourish the life of the believer; we need solid food of the word of God and the Eucharist, which have been from the beginning the only solid and substantial nourishment of the Christian.” — Goffredo Boselli

Richard J. Clark · July 18, 2014

Basic Steps To Improve Music At Your Parish — Part 3

Turn off the microphones. This can be a challenge when many parishes and even some cathedrals are enamored of carpeting – to say nothing of seat cushions!

Richard J. Clark · July 11, 2014

Unified Repertoire | Piano, Guitar, and Organ Accompaniments for the ICEL Chants

If the ICEL chants (or another Gregorian setting) are used at all the masses in a parish, it develops unity. It also helps a parish refrain from being multiple communities under the same roof.

Richard J. Clark · July 11, 2014

Introductory Rites: Madness or Preparation?

In some cases, the Introductory Rites are among the most misunderstood and mangled part of the mass.

Richard J. Clark · July 4, 2014

Should We Sing Patriotic Hymns at Mass?

I love patriotic hymns. But should we sing them at mass?

Richard J. Clark · June 27, 2014

The Thoughts of His Heart

It is striking to even consider that Jesus has his own “thoughts” or “designs” within his own Heart.

Richard J. Clark · June 20, 2014

Archbishop Sample’s Letter on Sacred Music (5 of 8)

The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.

Richard J. Clark · June 13, 2014

Pope Saint John Paul II on Gregorian Chant

As Gregorian Chant was arguably “dead” during much of his pontificate, Pope Saint John Paul II’s strong words on Gregorian Chant are therefore quite notable.

Richard J. Clark · June 6, 2014

Rebellion in the Liturgy

Here is a truth of human nature: When we can’t have something we want it. When something is forced upon us, we often reject it.

Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

Richard J. Clark · May 23, 2014

Mass in Honor of Pope Saint John Paul II on “Sounds from the Spires” and the Youth-Based Chant Movement

On air discussion with Dr. Jennifer Pascual, Director of Music at St. Patrick’s Cathedral – the youth-propelled chant movement, the new economic model of publishing, and how these are reshaping the liturgical landscape…and broadcast of the “Mass in Honor of Pope Saint John Paul II”.

Richard J. Clark · May 16, 2014

United in the Eucharist — Conservative, Liberal, or Universal?

These questions are nonsense of course and we are beyond all of this.

Richard J. Clark · May 9, 2014

The Pipe Organ and Propers Flourish with Vexo and Weismann

While the pipe organ languishes in some places, it flourishes in others. There are three reasons why.

Richard J. Clark · May 2, 2014

The Pipe Organ in Survival Mode

Organists can no longer take for granted the dominant use—or for that matter, any use of the organ despite anything Sacrosanctum Concilium states.

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

Recent Posts

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  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

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