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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · October 18, 2016

Music and the Formation of Our Youth

“While it is true that children can make beautiful music, it is more important that music can make beautiful children…”

Dr. Lucas Tappan · October 11, 2016

Wonderful Things are Happening in Detroit!

Even more exciting were two developments I learned of while in Detroit.

Dr. Lucas Tappan · September 20, 2016

Problems Encountered Teaching Rhythms

Well, today I decided to buck the system (in spite of my general LOVE of tradition) and simply referred to the various notes by their Takadimi syllables.

Dr. Lucas Tappan · September 6, 2016

The Current Heresy

He was right, I spoke an unforgivable heresy—boys and girls are different.

Dr. Lucas Tappan · August 31, 2016

Give Yourself a Boost in the New Choral Year

The grandmother of 5 choristers informed me that one of her granddaughters told her rehearsal wasn’t long enough—it seemed to be over just as it was starting!

Dr. Lucas Tappan · August 23, 2016

A New Choral Year Off to the Races

If you aren’t used to working with children, it can be a bit daunting on your first day…

Dr. Lucas Tappan · August 16, 2016

Strive for Excellence

Let’s face facts—the English cathedral system of forming church musicians works.

Dr. Lucas Tappan · July 27, 2016

The Musical Power of the Priest in the Ordinary Form

One musical advantage for the priest celebrating the Ordinary Form is that he can play an active role leading the music, yet still celebrate Mass.

Dr. Lucas Tappan · July 19, 2016

Ad Orientem and Sacred Music

Father told me that he felt extremely awkward standing in the sanctuary for two minutes while the congregation did nothing but look at him.

Dr. Lucas Tappan · July 5, 2016

Sing the Mass

Whether your particular parishes are rich or poor, big or small, love sacred music or hate it, there is one thing that I challenge all of you to do, and that is to sing the Mass.

Dr. Lucas Tappan · June 30, 2016

Do My Eyes Deceive Me?

I’ve often told my choir members that before I die they will be singing from music displayed on some form of a tablet, but I never thought I’d see the Capella Sistina blazing the trail!

Dr. Lucas Tappan · June 28, 2016

Theology and Music

I hope and pray the Church continues to raise up true artists who will bring the Gospel to the world through the greatest of all the Church’s arts—Music.

Dr. Lucas Tappan · June 14, 2016

The Theology of the Organ

Let’s put the organ back on the pedestal it rightfully deserves.

Dr. Lucas Tappan · June 7, 2016

Choral Repertoire

I plan to do more of this in the future and I would recommend it to all others who direct any kind of church choir.

Dr. Lucas Tappan · May 24, 2016

Teaching the Very Young

I have received a number of emails of late from such musicians with questions regarding the musical training of the very young…

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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