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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · October 18, 2016

Music and the Formation of Our Youth

“While it is true that children can make beautiful music, it is more important that music can make beautiful children…”

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Dr. Lucas Tappan · October 11, 2016

Wonderful Things are Happening in Detroit!

Even more exciting were two developments I learned of while in Detroit.

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Dr. Lucas Tappan · September 20, 2016

Problems Encountered Teaching Rhythms

Well, today I decided to buck the system (in spite of my general LOVE of tradition) and simply referred to the various notes by their Takadimi syllables.

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Dr. Lucas Tappan · September 6, 2016

The Current Heresy

He was right, I spoke an unforgivable heresy—boys and girls are different.

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Dr. Lucas Tappan · August 31, 2016

Give Yourself a Boost in the New Choral Year

The grandmother of 5 choristers informed me that one of her granddaughters told her rehearsal wasn’t long enough—it seemed to be over just as it was starting!

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Dr. Lucas Tappan · August 23, 2016

A New Choral Year Off to the Races

If you aren’t used to working with children, it can be a bit daunting on your first day…

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Dr. Lucas Tappan · August 16, 2016

Strive for Excellence

Let’s face facts—the English cathedral system of forming church musicians works.

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Dr. Lucas Tappan · July 27, 2016

The Musical Power of the Priest in the Ordinary Form

One musical advantage for the priest celebrating the Ordinary Form is that he can play an active role leading the music, yet still celebrate Mass.

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Dr. Lucas Tappan · July 19, 2016

Ad Orientem and Sacred Music

Father told me that he felt extremely awkward standing in the sanctuary for two minutes while the congregation did nothing but look at him.

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Dr. Lucas Tappan · July 5, 2016

Sing the Mass

Whether your particular parishes are rich or poor, big or small, love sacred music or hate it, there is one thing that I challenge all of you to do, and that is to sing the Mass.

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Dr. Lucas Tappan · June 30, 2016

Do My Eyes Deceive Me?

I’ve often told my choir members that before I die they will be singing from music displayed on some form of a tablet, but I never thought I’d see the Capella Sistina blazing the trail!

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Dr. Lucas Tappan · June 28, 2016

Theology and Music

I hope and pray the Church continues to raise up true artists who will bring the Gospel to the world through the greatest of all the Church’s arts—Music.

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Dr. Lucas Tappan · June 14, 2016

The Theology of the Organ

Let’s put the organ back on the pedestal it rightfully deserves.

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Dr. Lucas Tappan · June 7, 2016

Choral Repertoire

I plan to do more of this in the future and I would recommend it to all others who direct any kind of church choir.

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Dr. Lucas Tappan · May 24, 2016

Teaching the Very Young

I have received a number of emails of late from such musicians with questions regarding the musical training of the very young…

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Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

Recent Posts

  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”

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