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“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge
The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
This volume has been professionally scanned—and you’ll love the results!
Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!
To withdraw the pipe organ no longer has the impact it once did.
Jesus Christ “will not snap the staff that is already crushed, nor put out the wick that still smolders.”
What does it mean to “renew” a choir?
By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
We were mentioned in article in an article by “The Times” (United Kingdom), as you can see here.
“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Father Fortescue
What bishops need to know!
“One person I spoke to frequently—although I never met him…” (?)
If we destroy our mental health, we will be no good to anybody.
The word “Alleluia” changes to: “Praise be to Thee, O Lord, King of eternal glory.”
I’m much more comfortable in a baritone’s range than a soprano’s range!
