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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Small Choir Repertoire: “Of The Father’s Love Begotten” (Two Voices)

Jeff Ostrowski · January 11, 2022

NE OF MY BROTHERS—in addition to being a great athlete—is a fabulous musician. About fifteen years ago, I showed him a Responsorial Psalm I’d composed, asking for his honest opinion. He immediately said: “I would never use this; it’s in a minor key, and sounds way too depressing.” He was correct; pieces for the congregation should sound bright, not mournful. The minor modes—which are far more interesting, in my opinion—must be used with great care. For instance, if I compose a verse in a minor tone, I will often use a major refrain … and there are other tricks, too.

A Happy Piece: A beautiful and “bright” piece comes to us from the 5th century: Corde Natus Ex Parentis. The complete version by Prudentius is very long, and—like many other ancient hymns—talks about our Redeemer’s entire life, including miracles he performed. But over the centuries, Corde Natus has become strongly associated with Christmastide and/or the Epiphany season (at least the verses which are commonly sung). The Brébeuf hymnal contains a gorgeous organ accompaniment:

Version for Two Voices: Needless to say, this song can be sung in Latin, not just English. Yesterday morning, I composed a version for two voices. I have no idea whether it’s any good, but feel free to download it—just remember it cannot be sung a cappella. It only works with the organ accompaniment found in the Brébeuf hymnal:

Melody Origin: The Brébeuf hymnal gives tons of “extra” information regarding the provenance of its texts and tunes. It even provides specific references to additional harmonizations by Richard Lloyd (1993 and Noel Rawsthorne (2011); and I know of no other hymnal which does likewise. The footnote on page 668 says: “The melody (DIVINUM MYSTERIUM) is an 11th century Sanctus trope, later adapted for Piae Cantiones (1582).” Do you think it sounds weird that this hymn used to be part of the SANCTUS?

Not Weird At All: It’s actually not very strange; and the reverse also happens. That is to say, many parts of the ORDINARIUM MISSAE came from other songs. Test your “musical knowledge” on the following examples. See if you can figure out which AGNUS DEI comes from the first example. And then see if you can figure out which SANCTUS comes from the second example:

Trivia: According to Dr. Joseph Dyer, the “Corde Natus” strophe is inserted into the hymn for the blessing of the oils on Holy Thursday (O redemptor, sume carmen).

This article is part of an ongoing (loosely connected)
series called: Repertoire for Small Choirs

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Corde Natus Ex Parentis, Divinum Mysterium, Mass of the Angels, Missa de angelis, Of The Father’s Love Begotten, Pieces For Small Choirs Last Updated: January 17, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

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