• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 13, 2024

“Ite, Missa Est” • What Does That Actually Mean?

Bishop Ambo’s assertion that Mass was attended—for centuries—by a single woman (and nobody else) is bizarre.

Jeff Ostrowski · February 10, 2024

PDF Download • “Chant Chart”

A thoughtful priest from another country wrote me a magnificent message praising a PDF comparison chart I recently posted. It deals with “staffless” CARMEN GREGORIANUM (Gregorian Chant). Download it for free by scrolling to the bottom of this article. Of course, I hope you will read the article instead of just scrolling past it.

Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

Jeff Ostrowski · February 7, 2024

“Somber Song!” • Sexagesima Sunday

As we approach the holy season of Lent, the prayers and readings become more lengthy. When we arrive at Easter, the prayers and readings will become extremely brief. As we get closer to Lent, some of the music becomes quite somber. I can’t think of a more somber piece than the INTROIT for Sexagesima Sunday. […]

Jeff Ostrowski · February 6, 2024

“Reader Feedback” • 6 February 2024

The word 𝒍𝒂𝒕𝒆 can mean “not punctual” or “dead.”

Jeff Ostrowski · February 6, 2024

“Mass in the Vernacular?” • Seven (7) Considerations

Should Mass be in Latin or English? Or should it be a mixture?

Jeff Ostrowski · February 5, 2024

Do You Like Organ Accompaniment for Hymns?

Real choir (‘live’) vs. studio recording.

Jeff Ostrowski · February 4, 2024

“When Does Christmas End?” • (Correct Answer)

Including the official hymn for February 2nd: the feast of the Purification.

Jeff Ostrowski · February 2, 2024

Abbat Bourigaud Challenges Dr. Charles Weaver!

Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”

Jeff Ostrowski · January 31, 2024

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Including never-before-released photographs of Monsignor Martin B. Hellriegel.

Jeff Ostrowski · January 30, 2024

“Polyphonic Sanctus” by J.S. Bach • Jeff Attempts All Voices (Even the Girls’ Vocals)

The occasion I speak of is when he stopped by our home to see us one final time.

Jeff Ostrowski · January 29, 2024

PDF Score • “Mass Setting I Wrote For Corrinne”

I demonstrate how the “Kyrie Eleison” can be adapted for use in the Extraordinary Form.

Jeff Ostrowski · January 27, 2024

“Saint Mark” • Hymn Tune

Regarding the hymn tune called “ST MARK”—have you ever heard or sung this? If you scroll towards the bottom of this recent article, you can hear my choir (which is made up 100% of volunteers) singing it. Some people say the ST MARK melody sounds a little ‘protestant.’ What do you think? I rather like […]

Jeff Ostrowski · January 26, 2024

Eucharistic Hymn With Gorgeous Tenor Line

Responding to an inquiry from Wendy Q.

Jeff Ostrowski · January 26, 2024

Do not read this!

She probably never actually said this, but leave that aside for the moment.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 27
  • Page 28
  • Page 29
  • Page 30
  • Page 31
  • Interim pages omitted …
  • Page 178
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

Recent Posts

  • “We Laughed It Off” • Archbishop of Portland on the Elimination of Latin from the Sacred Liturgy
  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.