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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · October 28, 2013

At Mass This Sunday …

The priest intoned the Gloria … a truly magnificent effect!

Jeff Ostrowski · October 28, 2013

What Do We Think Of Cell Phones At Mass?

I have noticed a certain tendency at EF Masses which causes me concern. Please allow me to “think out loud” and let me know your thoughts, as well.

Jeff Ostrowski · October 28, 2013

A Culture Obsessed With Sensationalism

It’s bizarre that both conductor and pianist were too lazy to discuss things like tempi beforehand.

Jeff Ostrowski · October 25, 2013

How Bad Was It?

Someday, my children might ask: “Do you remember the first ICEL translation of the Roman Missal?”

Jeff Ostrowski · October 24, 2013

Details About Sung Masses In “The Old Days”

“During a High Mass, the Choir will begin the Graduale etc. while the Priest recites the Epistle.” — St. Gregory Hymnal (1941)

Jeff Ostrowski · October 23, 2013

The Secret “Mora Vocis” of the Vatican Edition

Here are seven (7) videos explaining how to sing according to the rhythm of the Editio Vaticana (Vatican Edition) created by Abbot Pothier at the request of Pope Pius X.

Jeff Ostrowski · October 23, 2013

Concerning Proofreading And Capitalization

Some editors believe in their hearts there is only one “correct” way

Jeff Ostrowski · October 22, 2013

Does The Vatican II Lectionary Distort Scripture?

“I have noticed that when the present Lectionary occasionally proposes a ‘Shorter Form’ for one of the Gospel readings, the lines edited are something Our Lord said that comfortable people would rather He had not said.” — Fr. George W. Rutler

Jeff Ostrowski · October 21, 2013

Alfons Cardinal Stickler, Peritus during Vatican II

When a certain bishop stood up at Vatican II and expressed concern that “the entire Mass might be held in the language of the people,” the entire hall burst into uproarious laughter.

Jeff Ostrowski · October 21, 2013

Bishop Carroll and Vernacular in the Liturgy c. 1787

“In this country either for want of books or inability to read, the great part of our congregations must be utterly ignorant of the meaning and sense of the publick offices of the Church.” — Archbishop of Baltimore (1787)

Jeff Ostrowski · October 21, 2013

Jimmy Stewart … and Church Music Regulations?

“Whenever school children must be placed in the choir loft at High Mass, the Boys may sing but the Girls must keep silent, unless the whole congregation takes part in the singing.” — Diocese of Pittsburgh Regulations (1931)

Jeff Ostrowski · October 17, 2013

Six Girls In High School … Sensational New CD!

“Stella Splendens” features unaccompanied sacred vocal music sung by six ladies in high school.

Jeff Ostrowski · October 16, 2013

Beautiful Vestments Vs. Ugly Vestments

Has anyone else noticed this?

Jeff Ostrowski · October 15, 2013

Replacing the Entrance Chant With A Hymn Or Song?

This short video might annoy your friends … yet it just might get us thinking!

Jeff Ostrowski · October 14, 2013

Why Some Older Priests Hate Liturgy

“Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor.” — Blessed John XXIII (22 February 1962)

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

When the matter is thus regarded, an assertion which is being made today, not only by laymen but also at times by certain theologians and priests and spread about by them, ought to be rejected as an erroneous opinion: namely, that the offering of one Mass, at which a hundred priests assist with religious devotion, is the same as a hundred Masses celebrated by a hundred priests. That is not true.

— Pope Pius XII (2 November 1954)

Recent Posts

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  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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